{"title":"Preamps \u0026 Outboard","description":"","products":[{"product_id":"soldano-x88-ir-3-ch-all-tube-stereo-rackmount-preamp","title":"Soldano X88-IR 3-Ch All-Tube Stereo Rackmount Preamp","description":"\u003cp\u003eThe Soldano X88R is considered by many guitar players as the holy grail of rack mount tube preamps. From its inspiring Soldano tone to distinctive purple anodized panel, the X88R is\u003cbr\u003eone of the world’s most sought-after pieces of vintage gear used by countless professional musicians including Peter Frampton, Warren DeMartini, Michael Landau, Steve Lukather, Lou Reed and Lee Ritenour to name a few.\u003c\/p\u003e\n\u003cp\u003eThe new X88-IR continues this legacy by preserving every ounce of Soldano’s legendary tone, with updated modern features tailored to meet the needs of today’s professional players.\u003c\/p\u003e\n\u003cp\u003eX88-IR\u003c\/p\u003e\n\u003cp\u003eFeatures\u003cbr\u003eSoldano’s famous cascading-gain design\u003cbr\u003eHand built in the USA\u003cbr\u003eTubes: 5 x 12AX7\u003cbr\u003eDimensions (2-unit rack space): 19” (W) x 10.25” (D) x 3.5” (H)\u003cbr\u003eWeight: 10 lbs.\u003c\/p\u003e\n\u003cp\u003eFront Panel\u003c\/p\u003e\n\u003cp\u003ePurple Anodized front panel\u003cbr\u003eAll Channels – Preamp Level, Bass, Middle, Treble, Output Level and Bright switch\u003cbr\u003eChannel 1- Bright switch and selectable Normal\/Altered ModeFender style Normal Mode\u003cbr\u003eBoosted clean Altered Mode\u003cbr\u003eChannel 2\/3 – Fat Switch, Bright Switch and selectable Crunch \/ Overdrive Mode\u003cbr\u003eMaster Level Control\u003cbr\u003eHeadphone Output jack with Level Control\u003cbr\u003eIR cabinet simulation (bypassable)\u003cbr\u003e6 IR presets, individually programmable per channel \/modeLoad your own IRs via the Software Editor\u003c\/p\u003e\n\u003cp\u003eBack Panel\u003c\/p\u003e\n\u003cp\u003eVoltage selector switch – Mains Fuse must be changed (please read manual)\u003cbr\u003eUSB (type B 2.0) connector to connect Software EditorIncludes a 6’ USB cable\u003cbr\u003eMIDI\/Footswitch Input\u003cbr\u003eMIDI Phantom Power input jack\u003cbr\u003e¼” Main Outputs\u003cbr\u003eStereo XLR Outputs with Level Switch and Ground Lift Switch\u003cbr\u003eUltra-transparent stereo series effects loop:Mono Send and Stereo Return jacks\u003cbr\u003eLevel Switch\u003c\/p\u003e\n\u003cp\u003eSoldano Software Editor\u003c\/p\u003e\n\u003cp\u003eEasy to use USB Editor Software\u003cbr\u003eSave up to 128 MIDI presets\u003cbr\u003eLoad and organize your IR libraryIncludes 12 IRs to choose from\u003cbr\u003eMidi Presets allows you to select:Channel\u003cbr\u003eChannel mode\u003cbr\u003eAssign different IRs for all three channels\u003cbr\u003eLow-Pass and High-Pass Filters\u003cbr\u003ePower Amp three position Depth Switch\u003cbr\u003ePower Amp three position Presence Switch\u003c\/p\u003e\n\u003cp\u003eHistory\u003cbr\u003eThe Original X88R\u003cbr\u003eThe initial idea for a three-channel Soldano rackmount guitar preamp came from Bob Bradshaw, rack builder to the stars. According to Mike Soldano “If not for Bradshaw’s request, the X88R would never have happened. I thank Bob Bradshaw for his idea and for his trust in me to make it happen.” Here’s the story:\u003c\/p\u003e\n\u003cp\u003eIn 1987, Steve Lukather began using the new Soldano SLO-100 heads. Bob Bradshaw built Steve’s rack system and toured with him to ensure it always worked flawlessly.\u003c\/p\u003e\n\u003cp\u003eWhile visiting Bob’s shop in North Hollywood, Bob discussed with Mike what a pain it was to haul around three amps just so Steve could get his various sounds. Steve’s complicated wet-dry-wet rig also needed heavy dummy loads to get a low level “slave” signal from the power amp’s output to run into the effects. This large rig generated extra wear and tear and expense, as shipping and handling those heavy amps and load cabinets required more truck space and crew labor.\u003c\/p\u003e\n\u003cp\u003eMike agreed that using his SLO-100 heads just to obtain a rack-system-friendly 0db output signal was inefficient. This was especially true because the SLO’s revolutionary cascading gain design already provided all of Soldano’s iconic tone in the preamp section.\u003c\/p\u003e\n\u003cp\u003eBob requested Mike to build an all-tube preamp with three independent channels, clean, crunch, and overdrive, that could be integrated with his switching systems and replace all that heavy gear. When it was done, Bob wired it into Steve’s rack, it was big smiles all around and history was made.\u003c\/p\u003e\n\u003cp\u003eBy the Summer of 1988, Soldano developed a production version of this preamp, the first of which was purchased by Warren Cucurullo. The X88R was the first of its kind, and the first truly professional stand-alone guitar preamp.\u003c\/p\u003e\n\u003cp\u003eX88-IR\u003cbr\u003eThe Channels:\u003cbr\u003eJust like the X88R, the new X88-IR features three channels each with Preamp Level, 3-Band EQ, Output Level and Bright Switch. The original X88R featured independent channels for clean, crunch and overdrive. The new X88-IR offers significantly more flexibility including:\u003cbr\u003eClean\u003cbr\u003eChannel 1\u003cbr\u003eChannel 1 (the “clean” Channel) now includes a two position Normal\/Altered mode.\u003c\/p\u003e\n\u003cp\u003eThe Normal mode is a Fender inspired clean tone.\u003c\/p\u003e\n\u003cp\u003eThe Altered mode offers a boosted clean for edge of breakup tones\u003c\/p\u003e\n\u003cp\u003eIn Normal Mode, the channel 1 select button will illuminate Green.\u003cbr\u003eIn Altered Mode the channel 1 select button will illuminate Yellow.\u003cbr\u003eCustom\u003cbr\u003eChannel 2 and 3\u003cbr\u003eBoth Channels are identical, both featuring a Fat Switch, a Bright switch and a selectable Crunch\/Overdrive switch. This allows you to customize channels 2\/3 to your liking. You can select one Crunch and one Overdrive channels, two Crunch Channels or two Overdrive Channels.\u003c\/p\u003e\n\u003cp\u003eIn Crunch Mode, the corresponding channel 2\/3 select button will illuminate Purple.\u003cbr\u003eIn Overdrive Mode, the corresponding channel 2\/3 select button will illuminate Red.\u003cbr\u003eChannel Presets\u003cbr\u003eChannel Select MIDI Store\u003cbr\u003eEach of the three channels features an illuminated channel select switch. Press and hold any of the channel select switches to MIDI store a preset.\u003c\/p\u003e\n\u003cp\u003eThe X88-IR preamp accepts external MIDI switchers and controllers, giving you up to 128 user-created presets with real time Control Changes. You can assign and organize your presets right from the front panel or with the included Soldano Editor Software.\u003c\/p\u003e","brand":"Soldano","offers":[{"title":"Default Title","offer_id":47993235308774,"sku":"BM763815134086","price":4084.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/x88-ir-left.png?v=1784181843"},{"product_id":"radial-pz-pre-acoustic-instrument-preamp","title":"Radial PZ-Pre Acoustic Instrument Preamp","description":"\u003cp\u003eThe PZ-Pre is a powerful acoustic instrument preamplifier with a powerful EQ and feedback control section and loads of connectivity options giving you complete control over your rig.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003eTwo channels to switch or blend instruments\u003cbr\u003eNotch \u0026amp; resonance filters eliminate feedback\u003cbr\u003ePre \u0026amp; Post Radial DI outputs for PA and monitors\u003cbr\u003ePower booster and mute for more control on stage\u003cbr\u003e \u003cbr\u003ePOWERFUL CONTROL IN A BOX\u003cbr\u003eThe Radial PZ-Pre™ is a powerful acoustic instrument preamplifier. The magic lies in the combination of high performance 100% discrete class-A PZB piezo boosters, an ultra-quiet preamp circuit that will adapt to any pickup system and a host of connectivity options that will put you in total control. The PZ-Pre is equipped with two inputs for quick instrument changes on stage, or, for blending two pickups together. Powerful semi-parametric EQ and feedback eliminating controls allow the user to fine-tune their sound while eliminating troublesome frequencies. Offering both pre and post EQ direct box outputs, the PZ-Pre can be used send a dry signal to the house and performer tailored sound to monitors.\u003c\/p\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":47993290227942,"sku":"930101000429","price":650.75,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/pz-pre-top-1-768x462.png?v=1784182417"},{"product_id":"behringer-mic500usb-tube-ultragrain-microphone-preamp","title":"Behringer MIC500 USB Tube Ultragrain USB Microphone Preamp","description":"\u003cul\u003e\n\u003cli\u003eHigh-end pre-amplification for all microphone, instrument and line-level sources. Specifically designed for studio-grade condenser mics\u003c\/li\u003e\n\u003cli\u003ePerfectly matches your studio, live and hard disk recording set-up\u003c\/li\u003e\n\u003cli\u003eUltra-flexible Preamp Modeling allows you to optimize your recordings\u003c\/li\u003e\n\u003cli\u003eChoose between 16 preamp voicings designed for electric and acoustic guitars, keyboards, bass guitars, drums, vocals and more\u003c\/li\u003e\n\u003cli\u003eBuilt-in USB\/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument\/effect plug-ins downloadable at behringer.com\u003c\/li\u003e\n\u003cli\u003ePowerful Phones output with Level control and Direct Monitor select\u003c\/li\u003e\n\u003cli\u003eHand-selected 12AX7 vacuum tube with UTC technology for exceptional warmth and lowest noise\u003c\/li\u003e\n\u003cli\u003eEnsures outstanding signal transparency when used as a high-end DI-box\u003c\/li\u003e\n\u003cli\u003eSophisticated output limiter prevents the output signal from clipping\u003c\/li\u003e\n\u003cli\u003eDedicated low cut filter eliminates unwanted noise, e.g. floor rumble\u003c\/li\u003e\n\u003cli\u003e+48 V phantom power, Phase Reverse switch and 20 dB Pad for utmost flexibility\u003c\/li\u003e\n\u003cli\u003eHighly accurate 8-segment LED level meter\u003c\/li\u003e\n\u003cli\u003eBalanced inputs and outputs on ¼\" TRS and XLR connectors\u003c\/li\u003e\n\u003cli\u003e3-Year Warranty Program*\u003c\/li\u003e\n\u003cli\u003eDesigned and engineered in Germany\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":47993496043750,"sku":"930006018420","price":179.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/mic500usb_p0b4n_fisheye_b.png?v=1784184213"},{"product_id":"behringer-studio-m-passive-monitor-controller","title":"Behringer Studio M Passive Monitor Controller","description":"\u003cp\u003e\u003cstrong\u003ePremium Passive Studio Controller\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe STUDIO M Premium Passive Studio Controller takes controlling your setup to the next level. Instantly switch between any two audio sources and monitors and adjust their level. The large volume knob makes it easy to dial-in the perfect level every time, without having to reach for your mixer – or your mouse! With two pairs of input and output connectors as well as a 3.5 mm (1\/8”) stereo input, the STUDIO M is ultra-easy to connect to your current system – and so affordable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll-in-one Master Volume controller, Source selector and Monitor switcher\u003c\/li\u003e\n\u003cli\u003eActive-free circuitry guarantees purest signal path\u003c\/li\u003e\n\u003cli\u003eLarge Volume knob for extremely precise level adjustments\u003c\/li\u003e\n\u003cli\u003eConvenient Mono, Mute and Dim functions right at your fingertips\u003c\/li\u003e\n\u003cli\u003e2 pairs of high-quality input connectors and 3.5 mm (1\/8\") stereo input perfectly connect to your DAW\u003c\/li\u003e\n\u003cli\u003e2 pairs of high-quality outputs connectors to connect to your studio monitors\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":47993502335206,"sku":"930006023356","price":103.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/studio-m_p0e88_top_xl.png?v=1784184282"},{"product_id":"midas-comp-limit-522-v2","title":"Midas 500-series Compressor \/ Limiter 522 v2","description":"\u003cp\u003eThe COMPRESSOR LIMITER 522 brings state of the industry dynamics control to a compact 500 Series format processor that is good enough to wear the Midas name. When used in conjunction with the LEGEND L10, L6, or other standard 500 Series rackmount chassis, the 522 provides the ideal solution for users seeking the legendary Midas sound in a modular format that boasts upgraded, premium-quality performance. Additionally, the 522’s dynamic Presence control enables operators to add “air” to vocals without the unwanted noise or pumping effects found in competing products – and reduces the risk of feedback occurrence during live performance.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompact 500 Series premium compressor\/limiter with dynamic presence control\u003c\/li\u003e\n\u003cli\u003eFully variable dynamic presence feature preserves high mid-range frequencies for a more natural sound during compression\u003c\/li\u003e\n\u003cli\u003eDynamic presence control adds \"air\" to vocals without introducing noise or pumping effects and reduces the risk of feedback during live performances\u003c\/li\u003e\n\u003cli\u003eManual envelope controls with linear peak-sensing compression or easy to use Auto mode with RMS compression\u003c\/li\u003e\n\u003cli\u003eSoft or hard knee compressor response with selection switch\u003c\/li\u003e\n\u003cli\u003eSidechain high pass filter with selection switch eliminates undesirable low frequency compression artefacts\u003c\/li\u003e\n\u003cli\u003eHigh performance electronically balanced input stage with high common-mode rejection\u003c\/li\u003e\n\u003cli\u003eHigh power balanced output drives long audio cables with ease\u003c\/li\u003e\n\u003cli\u003ePrecision gain reduction and signal level metering\u003c\/li\u003e\n\u003cli\u003eTrue hardware bypass selection switch removes all circuitry from the signal path when compression is not required\u003c\/li\u003e\n\u003cli\u003ePower up mute relays prevent switch on thumps\u003c\/li\u003e\n\u003cli\u003ePremium quality components throughout for a crystal-clear audiophile signal path\u003c\/li\u003e\n\u003cli\u003e10-Year Warranty Program* (via online registration)\u003c\/li\u003e\n\u003cli\u003eDesigned and engineered in the U.K.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":47993502466278,"sku":"930006019798","price":331.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/compressor-limiter-522-v2_p0e8j_front_xl.png?v=1784184283"},{"product_id":"xvive-p2-microphone-preamp-booster","title":"Xvive P2 Microphone Preamp Booster","description":"\u003cp\u003eThe P2 in-line preamp\/booster is an easy-to-use and budget-friendly way to achieve professional sound quality from your dynamic or ribbon microphone. With innovative Nutube vacuum tube technology, P2 adds natural tube-style warmth to your signal while delivering up to +40 dB of gain—sending a louder, richer signal to your mixer, mic preamp, or recording interface. \u003c\/p\u003e\u003cp\u003eBy adjusting the gain and volume controls, you can shape your sound exactly how you like it—whether you're going for warm, tube-infused tones or a clean, transparent boost. Whether you're using a mixer, interface or other microphone audio device, P2 is a cost-effective way to enhance your sound. By boosting the signal right at the source, you can lower the input gain on your mic preamp—improving your signal-to-noise ratio and resulting in cleaner, more professional recordings.\u003c\/p\u003e","brand":"Xvive","offers":[{"title":"Default Title","offer_id":47993502499046,"sku":"BM6943050419993","price":331.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/XP2_1.png?v=1784184283"},{"product_id":"spl-venos-stereo-bus-compressor-red","title":"SPL VENOS Stereo Bus Compressor - Red","description":"\u003cdiv class=\"group-block\n    group-block--height-fit\n    group-block--width-fill\n    border-style\n    spacing-style\n    size-style\" data-testid=\"group-block\"\u003e\n\u003cdiv class=\"group-block-content\n      layout-panel-flex\n      layout-panel-flex--column\n       mobile-column\"\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-92214a0 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"92214a0\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-d4eaa27\" data-id=\"d4eaa27\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-026eb44 elementor-widget elementor-widget-heading\" data-id=\"026eb44\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp class=\"elementor-heading-title elementor-size-default\"\u003eStereo Bus Compressor\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-6cd5783 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6cd5783\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1568721\" data-id=\"1568721\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-a8a2a54 elementor-widget elementor-widget-text-editor\" data-id=\"a8a2a54\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003eAdding size, depth and impact to a stereo signal has never been easier. The Venos stereo bus compressor is based on the same design as many legendary vintage tube compressors. Venos expands this impressive sonic signature with two revolutionary hyper-compression modes, opening up new dimensions of sound. With SPL 120V technology this sound is crowned to king of dynamics.\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-f1f693f elementor-widget elementor-widget-text-editor\" data-id=\"f1f693f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eThe Venos stereo bus compressor is basically a variable bias tube compressor. Venos works on the principle of a bias-controlled remote cutoff tube, but expands the sonic versatility of this concept with the new hyper-compression modes “Focus” and “Punch”.\u003c\/p\u003e\n\u003cdiv class=\"elementor-element elementor-element-334c727 elementor-widget elementor-widget-text-editor\" data-id=\"334c727\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eOnce the ideal input level is dialed in, comparing different parameter settings works like a charm. The parameters have been fine-tuned in countless listening sessions to make the compressor intuitive to use. All parameters are set using switches or detented potentiometers. A single control element manages both, the left and right channel, allowing for easy recall!\u003c\/p\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-fc7b9f7\" data-id=\"fc7b9f7\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-9cc2262 elementor-widget elementor-widget-text-editor\" data-id=\"9cc2262\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003eThe input level is adjusted via a detented potentiometer in 41 steps, within a control range of +\/- 10 dB. Increasing the input level results in more intense compression.\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-5e23de5 elementor-reverse-mobile elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-wpr-lazyrender=\"1\" data-id=\"5e23de5\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-1d3cb9f\" data-id=\"1d3cb9f\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-512a02c elementor-widget elementor-widget-text-editor\" data-id=\"512a02c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eThreshold determines the level beyond which the compressor starts with processing. The compressor begins to compress the signal once the set threshold value has been exceeded.\u003c\/p\u003e\n\u003cp\u003eThe Threshold parameter of the Venos can be adjusted in 41 steps with the detent potentiometer.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":47993502597350,"sku":"BM4260149322791","price":8549.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/SPL-VENOS-RD_3.jpg?v=1784184284"},{"product_id":"sebatron-vmpquadplus-4-ch-valve-microphone-preamp","title":"Sebatron VMPQuadPlus 4-ch Valve Microphone Preamp","description":"\u003cp\u003eIf you're the type of engineer\/producer that prefers a bit more control over the degree of colouration in the signal then it might be a good idea to check out the VMPQuadPlus. The VMPQuadPlus is very similar to the VMP-4000e in the sense that it is a four channel valve microphone preamplifier with the majority of the circuit being almost identical.The differences account for a slightly broader frequency response, a few db of extra gain and a lower reaching bottom but in most recording contexts the differences may be barely perceivable.\u003c\/p\u003e\n\u003cp\u003eThe omission of the 'deep' circuitry accounts for the extra db in gain and allows for the inclusion of the pad\/gain control to further push the limits and fine tune valve colouration. This adjusts the level in between the two stages of the triode\/valve leaving the normal\/+12db toggle to adjust the degree of negative feedback around the first stage similar to the 4000e toggle.\u003c\/p\u003e\n\u003cp\u003eIn the 'normal' position a slight amount of negative feedback linearizes the first stage and makes it run more transparently whereas in the +12db position the circuit runs in 'open loop' with a pleasing coloured texture.\u003c\/p\u003e\n\u003cp\u003eThis allows for a very wide gain range and means the VMPQuadPlus can handle everything from hot Condensers to lightweight Ribbon signals without the use of external pads or lifters.\u003c\/p\u003e\n\u003cp\u003eOther differences include the addition of a front panel face plate that improves shielding and provides some protecton to the toggle switches and a signal LED on each channel to indicate channel activity.\u003c\/p\u003e\n\u003cp\u003eIf your recording requirements extend beyond recording drum kits and other rock styled instrumentation and you desire more control over valve colour then the VMPQuadPlus may be suited to your needs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGain: 70db per channel\u003cbr\u003eFrequency response: 20hz-110khz +\/- 3db 'air' on\u003cbr\u003eMic input impedance: 1K ohm\u003cbr\u003eDirect Input impedance: 1M ohm\u003cbr\u003eMaximum input: +10dbu mic ,+16dbu direct\u003cbr\u003eMaximum output level : +30dbu\u003cbr\u003eNoise (EIN): -126db\u003cbr\u003eMains power input:~110\/120 or ~220\/240\u003cbr\u003eCurrent : 0.8a ~220\/240 or 1.6a ~110\/120\u003cbr\u003eDimensions: 482mmX190mmX89mm (W-D-H)\u003cbr\u003eWeight: Approx. 6kg.\u003c\/p\u003e","brand":"Sebatron","offers":[{"title":"Default Title","offer_id":47993502630118,"sku":"939332000005","price":2090.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/vmpquadplus-hi-res.jpg?v=1784184285"},{"product_id":"sebatron-thorax-preamp","title":"Sebatron THORAX Valve Microphone Preamp w\/Compressor","description":"\u003cp\u003e\u003cstrong\u003eMade in Australia!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe New Sebatron THORAX is an evolution from previous models most notablely in Frequency Response , Dynamic Range , improvements over noise floor and compression characteristics. Quality components and build make this Valve Microphone preamp and Compressor a must for any Professional recording setup.\u003c\/p\u003e\n\u003cp\u003eThere are numerous advantages to housing preamp\/EQ and compressor under the same lid. Most notably is the fact that buffer circuitry (which is used to enable core circuits to drive long cables) can be minmized or eliminated. This contributes to a streamlined audio path. Additionally, processing sections can be incorporated into the gain stages themselves further streamlining the audio path.\u003c\/p\u003e\n\u003cp\u003eThe new Thorax has both these benefits which contribute to a low noise floor and wide bandwidth. The added advantage of High Voltage rails and discrete Class A circuitry make the Thorax deal with audio signals with a huge amount of headroom and minimal sound degredation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThorax preamp:\u003c\/strong\u003e\u003cbr\u003eThe Thorax preamp features six way selectors for pad\/gain and shelf EQ. This allows for quick recallable settings and improved performance. Both High and Low shelf EQ have been intergrated into the preamp circuit to preserve signal purity. The frequency bands chosen are the ones which resonate best with this configuration. The High shelf EQ is smooth and never brittle and can be used to open up signals for increased clarity and definition. The Low shelf EQ adds or subtracts low frequency response to the signal and can be subtle or obese depending on the setting. The Equalizer sounds natural and classic leaving surgical manipulations to be done in the box. Adjusting the pad\/gain selector not only changes the amount of amplification of the preamp but changes response and colour. The ranges overlap so there is more than one way to get to the gain required with a different response.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThorax compressor:\u003c\/strong\u003e\u003cbr\u003eLoosely based on our SMAC optical compressor, the Thorax compressor section has been designed for vesatility and ease of use. Sounds can be compressed from different angles to achieve the required result. To squash sounds even further the Thorax is equipt with a pump setting that extends ratio control and in feedforward mode creates a slight duck. The two compression curves, feedforward and feedback, have different processing charactersitics most obvious at higher ratios. Each one applicable to a certain situation and easy to set up. Another valuable feature is the comp mix control which can allow one to retain some of the dynamics of the original signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003cbr\u003eMaximum gain (mic input) : +68 db\u003cbr\u003eMaximum gain (direct input) : +62 db\u003cbr\u003eMaximum input (mic input) : +10 dbu\u003cbr\u003eMaximum input (direct input) : +16 dbu\u003cbr\u003eMaximum output : +30 dbu balanced\u003cbr\u003eFrequency Response : 20Hz - 80 KHz +\/- 2db (air 1)\u003cbr\u003e\u003cstrong\u003eCOMPRESSOR SPECIFICATIONS\u003c\/strong\u003e\u003cbr\u003eMinimum Attack Time : 1ms\u003cbr\u003eMaximum Attack Time : 25ms-tight 1sec-swim\u003cbr\u003eMimimum Release Time : 4ms-tight 50ms-swim\u003cbr\u003eMaximum Release Time : 2 sec-tight 6 sec-swim\u003cbr\u003eMakeup Gain : approx 30db\u003cbr\u003eMaximum Output : +30dbm balanced\u003cbr\u003eFrequency Response : 20Hz - 80 KHz +\/- 2db\u003cbr\u003e\u003cstrong\u003eOTHER SPECIFICATIONS\u003c\/strong\u003e\u003cbr\u003eDimensions : 482mm x 190mm x 88m\u003cbr\u003ePower : Externally switchable 110\/120\/220\/240 VAC for global useage.\u003cbr\u003eBuild : Chassis is 1.2mm mild steel powder coated 'Textured Black'. Front Panel is 2.5mm mild steel powder coated 'Transformer Grey'.\u003cbr\u003eTopology : Topology is all discrete and Class A Valve and Solid State signal path running on +300V and +60V rails respectively.\u003cbr\u003eCircuitry : Class A Discrete and low noise. Dual Triode 12AT7\/ecc81 and High Voltage Silicon Transistors.\u003c\/p\u003e","brand":"Sebatron","offers":[{"title":"Default Title","offer_id":47993502793958,"sku":"939332000004","price":2090.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/thorax-hi-res_2.jpg?v=1784184287"},{"product_id":"spl-venos-stereo-bus-compressor-black","title":"SPL VENOS Stereo Bus Compressor - Black","description":"\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-92214a0 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"92214a0\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-d4eaa27\" data-id=\"d4eaa27\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-026eb44 elementor-widget elementor-widget-heading\" data-id=\"026eb44\" data-element_type=\"widget\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp class=\"elementor-heading-title elementor-size-default\"\u003eStereo Bus Compressor\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-6cd5783 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6cd5783\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1568721\" data-id=\"1568721\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-a8a2a54 elementor-widget elementor-widget-text-editor\" data-id=\"a8a2a54\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003eAdding size, depth and impact to a stereo signal has never been easier. The Venos stereo bus compressor is based on the same design as many legendary vintage tube compressors. Venos expands this impressive sonic signature with two revolutionary hyper-compression modes, opening up new dimensions of sound. With SPL 120V technology this sound is crowned to king of dynamics.\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-f1f693f elementor-widget elementor-widget-text-editor\" data-id=\"f1f693f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eThe Venos stereo bus compressor is basically a variable bias tube compressor. Venos works on the principle of a bias-controlled remote cutoff tube, but expands the sonic versatility of this concept with the new hyper-compression modes “Focus” and “Punch”.\u003c\/p\u003e\n\u003cdiv class=\"elementor-element elementor-element-334c727 elementor-widget elementor-widget-text-editor\" data-id=\"334c727\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eOnce the ideal input level is dialed in, comparing different parameter settings works like a charm. The parameters have been fine-tuned in countless listening sessions to make the compressor intuitive to use. All parameters are set using switches or detented potentiometers. A single control element manages both, the left and right channel, allowing for easy recall!\u003c\/p\u003e\n\u003cp class=\"elementor-section elementor-top-section elementor-element elementor-element-e4327d8 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-wpr-lazyrender=\"1\" data-id=\"e4327d8\" data-element_type=\"section\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-fc7b9f7\" data-id=\"fc7b9f7\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-9cc2262 elementor-widget elementor-widget-text-editor\" data-id=\"9cc2262\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003eThe input level is adjusted via a detented potentiometer in 41 steps, within a control range of +\/- 10 dB. Increasing the input level results in more intense compression.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"elementor-section elementor-top-section elementor-element elementor-element-f3abaee elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-wpr-lazyrender=\"1\" data-id=\"f3abaee\" data-element_type=\"section\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-99ab73d\" data-id=\"99ab73d\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-d6cf4c8 elementor-widget elementor-widget-template\" data-id=\"d6cf4c8\" data-element_type=\"widget\" data-widget_type=\"template.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-template\"\u003e\n\u003cdiv class=\"elementor elementor-10640\" data-elementor-type=\"section\" data-elementor-id=\"10640\" data-elementor-post-type=\"elementor_library\"\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-15d80a2 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"15d80a2\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-b6f4456\" data-id=\"b6f4456\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-8a01465 elementor-widget elementor-widget-spacer\" data-id=\"8a01465\" data-element_type=\"widget\" data-widget_type=\"spacer.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-spacer\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-5e23de5 elementor-reverse-mobile elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-wpr-lazyrender=\"1\" data-id=\"5e23de5\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-1d3cb9f\" data-id=\"1d3cb9f\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-512a02c elementor-widget elementor-widget-text-editor\" data-id=\"512a02c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eThreshold determines the level beyond which the compressor starts with processing. The compressor begins to compress the signal once the set threshold value has been exceeded.\u003c\/p\u003e\n\u003cp\u003eThe Threshold parameter of the Venos can be adjusted in 41 steps with the detent potentiometer.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":47993502859494,"sku":"BM4260149322784","price":8549.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/SPL-VENOS-BK_3.jpg?v=1784184287"},{"product_id":"radial-hdi","title":"Radial HDI High Definition Studio Grade Direct Box \/ DI","description":"\u003cp\u003eThe HDI is a studio-quality direct box designed to create exceptional recordings with any instrument, utilizing premium Jensen transformers and a unique Color control that provides an entirely new yet familiar-sounding sonic palette to experiment with.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDial in an amazing tone within seconds\u003c\/li\u003e\n\u003cli\u003eBlend from ultra-clean to amp-like distortion\u003c\/li\u003e\n\u003cli\u003eSmooth Opto compressor for peak reduction\u003c\/li\u003e\n\u003cli\u003eMic and line-level outputs\u003c\/li\u003e\n\u003cli\u003eOversized custom-wound Jensen transformer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eInstant Gratification\u003cbr\u003eDespite the complex circuitry housed within the unit, the HDI has an elegant set of controls that allows the musician or engineer to dial up a record-ready sound with a minimal amount of tweaking required. The Level control drives the inputs of the HDI with instant visual feedback from the responsive front panel meter, while the Color knob provides seamless blending between an ultra-clean tone and amp-style distortion and saturation, so you can add just the right amount of character and grit to your instrument. A smooth Opto compressor can be engaged to control the peaks of the input signal, and a High-Pass Filter clears up any excessive low frequencies added by the Color control. Lastly, a Presence control accentuates the highs and high-mids, providing the ability to cut through the mix with results that are sure to impress.\u003c\/p\u003e\n\u003cp\u003eLooks and Personality\u003cbr\u003eWith its gunmetal anodized 1\/2\" thick milled front panel and distinctive styling reminiscent of classic outboard studio equipment, the HDI is sure to turn heads in any recording space. A custom output meter provides a level check at a glance, with oversized chrome knobs for precise adjustments and easy tweaking on-the-fly. The HDI is a stunning standalone unit, but it also comes complete with mounting hardware to install in standard 19\" equipment racks. One or two HDI's can be installed side-by-side in a 2RU rack space, and like all Radial products, they are built with rugged components and designed to easily withstand the rigors of concert touring.\u003c\/p\u003e\n\u003cp\u003eBehind the Design\u003cbr\u003eWhile the HDI is incredibly easy to use - requiring only a few seconds to achieve great-sounding results - both the design philosophy and the under-the-hood processes at work are anything but simple. Click here to read an interview with the HDI's designer, W.C. \"Hutch\" Hutchison for an in-depth look at how the HDI came to be and what makes its circuitry so unique.\u003c\/p\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":47993502892262,"sku":"935101000357","price":1512.4,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/hdi-front-1-1.jpg?v=1784184287"},{"product_id":"midas-xl4-2-2-ch-class-a-tube-mic-preamp","title":"Midas XL4-2 2-Ch Class-A Tube Mic Preamp","description":"\u003cul class=\"list list--bullet-midas list--circle list--brown list--col-lg-2 pl-1 pl-sm-0\"\u003e\n\u003cli\u003e\n\u003cp\u003eClassic tube microphone preamplifier for vocals, instruments and line-level sources\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePerfectly matches your studio, live and hard disk recording set-up\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClass-A, dual mono architecture with separate signal path for spatial imaging on stereo recordings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExtremely wide dynamic range for highest signal integrity\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e72 dB gain range for high-definition recordings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLarge gain trim knobs provide precision control of input gains\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePremium 12AX7 vacuum tubes for exceptional warmth and lowest noise\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eVintage-style illuminated VU meters feature output signal levels\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAIR circuitry enhances clarity and presence\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIlluminated switches for phantom power, low cut filter, phase reverse, and pad for utmost flexibility\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRugged 2U rack mount chassis for durability in portable applications\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAuto-ranging universal switch-mode power supply\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-start\"\u003e\n\u003cdiv class=\"col-sm px-sm-2 pb-sm-0\"\u003e\n\u003cp\u003eIn a landscape of digital audio production, there’s nothing like a great tube-based preamp to breathe life and warmth into your recordings. Such a piece of studio gear is worth its weight in gold, which is why we spared no expense with the new Midas XL4-2.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-start\"\u003e\n\u003cdiv class=\"col-sm px-sm-2 pb-sm-0\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eVersatile Tube Preamp\u003c\/h5\u003e\n\u003cp\u003eXL4-2 is a classic 2-channel vacuum tube mic preamp. It’s designed to work great with vocals, instruments and any line-level source while also giving you that rich vacuum tube sound in any kind of studio setup, modern or vintage, thanks to its premium 12AX7s that provide exceptional warmth and dynamic response.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-start\"\u003e\n\u003cdiv class=\"col-sm px-sm-2 pb-sm-0\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eIntuitive Control Layout\u003c\/h5\u003e\n\u003cp\u003eControls on XL4-2 are super simple. Each channel features a wide-range, precision gain control that lets you adjust input gain between 20 dB and 72 dB. Front panel switches include toggles for Pad, 48 V, Low Cut and Phase Reverse. The AIR setting boosts a specific frequency to add more presence and clarity to the signal when you need it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":47993502957798,"sku":"BM4033653081528","price":474.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/Image_MI_0838-ABB_XL4-2_Left_XL.png?v=1784184288"},{"product_id":"warm-audio-bus-comp","title":"Warm Audio BUS-COMP 2 channel Stereo VCA Bus Compressor","description":"\u003cp\u003eThe Warm Audio BUS-COMP is an all-analog, 2 channel, stereo VCA bus compressor based on classic circuitry that has provided silky smooth tone for decades. Stereo VCA bus compressors are masterful at controlling dynamics on many sources, but they have become widely known for their magic touch on stereo mixes.\u003c\/p\u003e\n\u003cp\u003eThe BUS-COMP will perform well on stereo mixes, drum mixes, drum overheads, acoustic guitars, keyboards, piano, orchestral instruments, voice-overs and an array of other sources. The BUS-COMP is primarily designed for stereo use, but it can be used just as successfully on individual mono sources. VCA bus compressors of this type have become widely loved for their ability to control dynamics effortlessly but also for the added tone and depth they provide to the audio signal that passes through them, even when no compression is applied.\u003c\/p\u003e\n\u003cp\u003eA Look Inside\u003c\/p\u003e\n\u003cp\u003eRe-creating legendary VCA bus compressor technology was the focus of the BUS-COMP’s design, however, adding options and improvements was just as important to us during its development. One feature we are proud to boast is the BUS-COMP’s ability to have USA made CineMag transformers inserted into the signal path driven by fully discrete operational amplifiers. With a single push of a front panel switch, these custom USA made transformers are inserted into the audio’s path providing increased depth, tone and vibe!\u003c\/p\u003e\n\u003cp\u003ePremium Components\u003c\/p\u003e\n\u003cp\u003eAs with all of the products we develop here at Warm Audio, the BUS-COMP was designed with a price point in mind. With efficient, modern manufacturing techniques we are proud to bring this boutique quality, classic VCA bus compressor to the market at a quality-to-price ratio previously unseen. More studios than ever before will now have access to analog quality VCA bus compression. Our desire is for all musicians to be heard the way they want to be heard and we feel the BUS-COMP is the perfect tool to perfect any mix!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eALL ANALOG, 2 CHANNEL, STEREO VCA BUS COMPRESSOR\u003c\/li\u003e\n\u003cli\u003eBASED ON LEGENDARY VCA BUS COMPRESSOR TECHNOLOGY\u003c\/li\u003e\n\u003cli\u003eSELECTABLE DISCRETE OPAMP STAGE WITH CINEMAG USA TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eEXTERNAL SIDE CHAIN SOURCE SELECT\u003c\/li\u003e\n\u003cli\u003eSELECTABLE HI-PASS FILTER: 30, 60, 105, 125, 185 HZ\u003c\/li\u003e\n\u003cli\u003eCOMPRESSOR ENGAGE SWITCH FOR EASY A\/B COMPRESS VS. NO-COMPRESS COMPARISON\u003c\/li\u003e\n\u003cli\u003ePERFORMS WELL ON STEREO MIXES, DRUM MIXES, DRUM OVERHEADS, ACOUSTIC GUITARS, KEYBOARDS, PIANO, ORCHESTRAL INSTRUMENTS, VOICE-OVERS AND ENDLESS OTHER SOURCES\u003c\/li\u003e\n\u003cli\u003eCAN BE USED ON STEREO AS WELL AS INDIVIDUAL MONO SOURCES\u003c\/li\u003e\n\u003cli\u003eTHAT 2180 VCAS\u003c\/li\u003e\n\u003cli\u003eOPTIMALLY PROVIDES BOTH XLR AND TRS CONNECTIVITY\u003c\/li\u003e\n\u003cli\u003eNOISE: \u0026lt; -90DBU\u003c\/li\u003e\n\u003cli\u003eDYNAMIC RANGE: \u0026gt; 120DB\u003c\/li\u003e\n\u003cli\u003eFREQUENCY RESPONSE: 18HZ – 22KHZ\u003c\/li\u003e\n\u003cli\u003eTHD + NOISE, 20HZ – 20KHZ, +20DBU INPUT: \u0026lt; .05%\u003c\/li\u003e\n\u003cli\u003eINPUT IMPEDANCE: 10K OHMS\u003c\/li\u003e\n\u003cli\u003eOUTPUT IMPEDANCE: 50 OHMS\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47993503056102,"sku":"939043000094","price":1186.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/cropped-bus-comp-front-1024x227.png?v=1784184289"},{"product_id":"klark-teknik-bbd-320-3rd-dimension-rack-effect","title":"Klark Teknik BBD-320 3rd Dimension Rack Effect","description":"\u003cp\u003eThe chorus effect has been a studio mainstay since the ‘80s. With greats such as Brian Eno, Stevie Ray Vaughan, Peter Gabriel and so many more incorporating this effect into their recordings, the chorus has become legendary effect in the music industry. Now, that legend continues with the 3RD DIMENSION BBD-320, an amazingly affordable analog multi-dimensional signal processor that can recreate those classic tones that so many amazing artists have used in countless releases.\u003cbr\u003e \u003c\/p\u003e","brand":"Klark Teknik","offers":[{"title":"Default Title","offer_id":47993503088870,"sku":"KLARK-454021","price":303.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/bbd320_1.png?v=1784184289"},{"product_id":"ssl-fusion","title":"Solid State Logic (SSL) Fusion Analog Outboard Processor","description":"\u003cp\u003eFusion is an all-analogue 2U stereo outboard processor created for the modern hybrid studio. Fusion introduces five completely new analogue colouration tools designed to bring the perfect combination of added tonal character, weight and space to your mix bus or stereo stems, with the detail, warmth and finesse that only real analogue circuits can provide.\u003c\/p\u003e\n\u003cp\u003eThe SSL sonic legacy is built upon a much-emulated collection of analogue audio processing tools that have featured in generations of studio consoles; pristine mic pre’s, classic Channel EQ \u0026amp; Dynamics, the legendary Stereo Bus Compressor, the Listen Mic Compressor, and the unique SSL summing bus. Fusion takes SSL into a new era with the introduction of a suite of new analogue processing tools that offer exceptional tonal character and versatility. Fusion expands the processing palette for hybrid studio owners and is a superb partner for the SSL Stereo Bus Compressor.\u003c\/p\u003e\n\u003cp\u003eFusion features five analogue processors that can be used discretely or combined:\u003c\/p\u003e\n\u003cp\u003eVintage Drive\u003cbr\u003eVintage Drive - is a unique non-linear harmonic enhancement circuit that brings cohesion and strength to your mix. Drive and Density controls interact to produce harmonic saturation and soft compression derived from overloading an analogue circuit. It can be used lightly for subtle thickening saturation or driven hard for more extreme distortion.\u003c\/p\u003e\n\u003cp\u003eThe Violet EQ\u003cbr\u003eThe SSL Violet EQ - an all-new minimum phase-shift, two-band shelving EQ. The first new SSL analogue EQ circuit for more than 25 years draws on the SSL legacy of carefully selected frequencies and response curves to create a musical and intuitive EQ designed to quickly dial in low-end weight and high-end sheen. High and Low frequency circuits each offer four switched frequency points and +\/-9dB attenuation.\u003c\/p\u003e\n\u003cp\u003eHF Compressor\u003cbr\u003eA new High Frequency Compressor delivers the distinctive sound of high frequency rounding in the analogue domain. A compressor that effects high frequencies only, optimised for smooth and transparent harshness reduction and a tape-like high-frequency roll off – great for taming brittle high frequency fizz.\u003c\/p\u003e\n\u003cp\u003eStereo Image\u003cbr\u003eA new Stereo Image enhancer provides a true analogue Mid-Side circuit that manipulates the Side signal, allowing for widening and spatial manipulation of the stereo field.\u003c\/p\u003e\n\u003cp\u003eTransformer\u003cbr\u003eA switched, custom-designed SSL Transformer circuit introduces subtle low-frequency saturation, alongside a high-frequency phase-shift. 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From the very first commercially released SSL 4000 B console in 1976 and through many generations of SSL consoles that have followed, the Bus Compressor has always been the stalwart of the console centre section.\u003c\/p\u003e\n\u003cp\u003eFor many of the world’s top engineers and producers, the Bus Compressor continues to be the most relied upon processing tool for making mixes sound bigger and more complete, with drive and energy from adding that legendary SSL glue and punch. \u003c\/p\u003e\n\u003cp\u003eWith THE BUS+, Solid State Logic have been on a mission to create the ultimate and most versatile incarnation of the Bus Compressor ever. The bedrock of the design remains faithful to the original circuit and using this as the foundation, they’ve built upon it, adding several unique colouration options and advanced processing tools. If you need it to be clean and punchy like the SuperAnalogueTM 9000 Series version, it can be. If you need it to be gritty and grungy like an early 4000E, it can do that also. Or if you need over-the-top, saturated parallel compression for the drums, THE BUS+ has got you covered.\u003c\/p\u003e\n\u003cp\u003eTHE BUS+ circuit design not only utilises high-grade components, such as the 2181 THAT VCAs in the audio path for superior analogue performance, it is also incredibly flexible, offering four modes of operation and 3 distinct compression colouration options that can be combined to perfectly suit the genre you’re working on. 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We pay homage to this audio-processing pioneer that has graced so many recordings, with our 2A-KT Classic Leveling Amplifier. And while vintage Teletronix LA-2As are extremely rare and expensive, the 2A-KT is amazingly affordable – and designed for the 21st Century. Mastering quality compression and limiting, at a price point that makes the 2A-KT equally at home in your studio – and your live rack!\u003c\/p\u003e\n\u003cp\u003eBuilding on a Classic\u003cbr\u003eThe 2A-KT draws inspiration from the original Teletronix LA-2A leveling amplifier, which was first produced in the early 1960s. Since then, Teletronix leveling amplifiers have been prized for their smooth musical sound, and audio engineers have utilised them at all stages of the recording process – from tracking to mastering.\u003c\/p\u003e\n\u003cp\u003eA Class Act\u003cbr\u003eAt the heart of the 2A-KT is a vintage lag-free optical attenuator based on the very same electroluminescent technology used in its predecessor. The 2A-KT is constructed from the highest-quality discrete components – all of which meet or exceed the LA-2A’s original specifications. This is just one of the many ways the 2A-KT brings unparalleled precision and superb signal integrity into the new audio age.\u003c\/p\u003e\n\u003cp\u003eThe Warm Sound of Tubes\u003cbr\u003e2A-KT owes its characteristic warmth to a set of premium, hand-selected 12AX7, 12BH7 and EL84 tubes. This time-tested combination provides ultra low-noise analog output with the ideal balance of tight, warm bass, silky-smooth midrange and brilliant, airy treble.\u003c\/p\u003e\n\u003cp\u003eMIDAS - The Legend in Sound Quality\u003cbr\u003eEver since its formation in the 1970s, XL4 and Heritage H3000 quickly became industry standards.\u003c\/p\u003e\n\u003cp\u003eMIDAS has earned an impeccable reputation due to their no-compromise approach for audio and build-quality, and in particular for their Award-winning Mic Preamps, considered by experts as the industry's best-sounding designs. Building on this legacy, the XL8 and PRO Series of Live Mixing Systems continue this great heritage of Award-winning audio quality.\u003c\/p\u003e\n\u003cp\u003eKLARK TEKNIK is proud to incorporate custom-designed MIDAS Input and Output transformers in the 2A-KT for the ultimate in high-quality audio reproduction in both live and studio environments. Find out more about MIDAS' amazing legacy by visiting their extensive website.\u003c\/p\u003e\n\u003cp\u003eIncredible Flexibility\u003cbr\u003e2A-KT frequency response extends from 10 Hz to 20 kHz (+\/- 1 dB), and provides the kind of flexibility you simply won’t find in the average leveling amplifier, such as gain limiting from 0 to 30 dB with an ultra-fast attack time of 10 milliseconds, a release time that ranging from 50 milliseconds to a full 5 seconds, and so much more. The Limit\/Compress switch lets you select between the internally-fixed compression ratio of Compress mode and the near-infinite ratio in Limit mode. A built-in adjustable stereo-link TRS connection allows a pair of 2A-KTs to blend their sidechain signals for shared threshold response between the two devices.\u003c\/p\u003e\n\u003cp\u003eControls\u003cbr\u003eThe controls on the 2A-KT consist of a Pre-Emphasis trimmer which adjusts the compressor \/ sidechain interaction. When set fully clockwise, the sidechain responds to the full frequency bandwidth of the incoming audio. As the trimmer is turned counterclockwise, the compressor responds less to the signal's high frequency transients. The Peak Reduction knob controls the threshold of the compressor\/limiter with an available maximum 40 dB of gain reduction. The Output Gain knob provides any makeup gain necessary for setting the output signal to the optimal level.\u003c\/p\u003e\n\u003cp\u003eMetering\u003cbr\u003eOld-school VU Meters ruled the day back in the 1960s and '70s, so we stayed true to the original with the 2A-KT’s metering. The classic d'Arsonval movement averages out short duration signal peaks and troughs, providing a much more realistic view of perceived loudness. 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Like its original inspiration, favored by producers and engineers from Chris Lord-Alge to Rick Rubin, the WA-1B delivers that revered “forgiving” musical compression of tube-optical circuitry with speed and control more closely associated with modern dynamics processing. Hand-wired to authentically recreate the sound of a renowned circuit, the WA-1B combines custom large-core transformers from Lundahl Sweden, select tubes from JJ and Tung-Sol, and a premium high-precision optical element for ultra-fast and accurate operation without sacrificing authentic analog warmth.\u003c\/p\u003e\n\u003cp\u003eOverview:\u003c\/p\u003e\n\u003cp\u003eTube-Opto Tone With Extended Control: Delivering that revered “forgiving” musical compression with the added speed and control functionality, the WA-1B excels on highly dynamic sources that demand analog warmth.\u003c\/p\u003e\n\u003cp\u003eTrue-To-Original Controls:To deliver extended dynamics processing, the WA-1B features all of the classic controls of its modern-classic inspiration. \u003c\/p\u003e\n\u003cp\u003eThreshold: The WA-1B supports a variable threshold giving maximum control to the user regarding how much compression is applied to any signal at various input levels.\u003c\/p\u003e\n\u003cp\u003eRatio: The WA-1B ratio is variable and has infinite controls between 2:1 and 10:1. From soft musical dynamic control all the way to hard-smashing compression! \u003c\/p\u003e\n\u003cp\u003eAttack \u0026amp; Release: The Attack\/Release controls on the WA-1B are unique in that the attack\/release operations can be switched from a fixed setting, manual (variable) setting, or a combined setting. In the “fixed” mode, the WA-1B delivers the natural attack \u0026amp; release time of the optical element. The combined setting in particular creates the opportunity for a more nuanced release-time curve. This dueling time-constant circuit operation is a special feature of the WA-1B and its original inspiration. \u003c\/p\u003e\n\u003cp\u003eMeter Switch: The WA-1B meter switch has three settings: input, compression, and output levels. Set to “input”, the VU meter is reading the level at the input connector. Set to “compression”, the VU meter is reading gain reduction. The steady-state is \"0\", and the amount of compression is shown as the needle moving right-to-left away from 0dB. Set to “output”, the VU meter is reading the level at the output connector.\u003c\/p\u003e\n\u003cp\u003eOn\/Bypass: The on\/bypass switch on the WA-1B activates or bypasses the compressor. This is a hard bypass, meaning no signal passes through the circuitry in bypass mode. \u003c\/p\u003e\n\u003cp\u003ePremium Components: The WA-1B is a 270v circuit with handwired through-hole circuitry, and 100% discrete analog signal path. The custom large-core transformers from Lundahl Sweden bring the full Scandinavian-style analog tone of the WA-1B circuit to life. 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The real Harrison magic starts when used in combination with the EQ section to tighten the low end and ‘bloom’ the top end without it ever sounding harsh or brittle.\u003c\/p\u003e\n\u003cp\u003e32Classic EQ:\u003cbr\u003eThe 32Classic MS brings the iconic 4-band parametric EQ from the 32Classic console to a 19” rack format for the first time. Originally crafted in the 1970s – an era where you had to just get it ‘right’ on the way in - its frequency bands and proportional Q design were painstakingly developed to offer both broad, musical curves and precise sculpting to get the best from any source material or recording scenario. Trusted by legendary engineers like Bruce Swedien and Roger Nichols for its power, and featured in renowned studios like The Village and Westlake Studios, LA, and LSI Studios, Nashville for its flexibility - add one of the most sought-after EQs to your toolkit. \u003c\/p\u003e\n\u003cp\u003eIntegrated mixbus and hybrid workflow features:\u003cbr\u003eBuild your Harrison recording and mixing system one channel at a time with the 32Classic MS’s integrated mixbus. Designed to enhance workflows and elevate recording and mixing capabilities, the mixbus allows outputs from multiple units to be cascaded together via rear panel ‘summing’ connectors and jumper cables. Balance signals using the Fader control and Pan them across the stereo outputs. Or engage the 0 dB Fader Bypass and record at unity gain. Perfect for hybrid workflows, mobile rigs, or tracking rooms, the 32Classic MS’s integrated mixbus delivers the iconic Harrison tone with exceptional flexibility.\u003c\/p\u003e\n\u003cp\u003eInsert point: \u003cbr\u003e32Classic MS unit includes a balanced Insert Point (located after the mic pre, pre-filters) for inserting other processing gear such as a compressor into the signal path of the unit. \u003c\/p\u003e\n\u003cp\u003eChannel Outputs:\u003cbr\u003eThe 32Classic MS provides useful pre and post-fader direct outputs for better control when feeding a recording device. \u003c\/p\u003e\n\u003cp\u003e32Classic MS sidecar: \u003cbr\u003eEnhance your mixing and\/or tracking workflow by combining multiple 32Classic MS channels for use as a “sidecar” to your existing setup. Perfect for drum or instrument buses, it adds the iconic Harrison sound to your sonic palette, delivering warmth, depth, and flexibility to any recording or mixing application.\u003c\/p\u003e\n\u003cp\u003eKey features: \u003c\/p\u003e\n\u003cp\u003eFlexible Input Section\u003c\/p\u003e\n\u003cp\u003e· Dedicated Mic and Line XLR inputs on the rear panel. \u003c\/p\u003e\n\u003cp\u003e· Selectable Instrument\/Hi-Z and Mic combi-XLR input on the front panel. \u003c\/p\u003e\n\u003cp\u003eTransformer Coupled Preamp \u003c\/p\u003e\n\u003cp\u003e· The microphone preamplifier uses legendary Jensen JT-MB-CPCA transformer. \u003c\/p\u003e\n\u003cp\u003e32 Classic Equalizer \u003c\/p\u003e\n\u003cp\u003e· Harrison 4 band parametric EQ with proportional Q from 32Classic Console.\u003c\/p\u003e\n\u003cp\u003e· Legendary Harrison Low Pass and High Pass filters.\u003c\/p\u003e\n\u003cp\u003eMixer Section\u003c\/p\u003e\n\u003cp\u003e· Unique mixer section which allows the channel signal to feed a stereo mix bus with panning. The balanced Mix bus can be cascaded across multiple 32Channel Strip MS units.\u003c\/p\u003e\n\u003cp\u003eInsert Point \u003c\/p\u003e\n\u003cp\u003e· Each 32Classic MS unit includes a balanced Insert Point.\u003c\/p\u003e\n\u003cp\u003eSpecification:\u003c\/p\u003e\n\u003cp\u003eMic pre:\u003c\/p\u003e\n\u003cp\u003eMinimum Gain – 20 dB\u003c\/p\u003e\n\u003cp\u003eMaximum Gain – 70 dB\u003c\/p\u003e\n\u003cp\u003eInput Impedance – 5.8K\u003c\/p\u003e\n\u003cp\u003eInput Impedance Pad In – 1.3K\u003c\/p\u003e\n\u003cp\u003eMaximum Input Level No Pad - +4 dBu\u003c\/p\u003e\n\u003cp\u003eMaximum Input Level With Pad - +24 dBu\u003c\/p\u003e\n\u003cp\u003eTHD 50 dB Gain - \u0026lt; 0.01%\u003c\/p\u003e\n\u003cp\u003eFrequency Response 20 Hz – 20 KHz +\/- 0.25 dB\u003c\/p\u003e\n\u003cp\u003eEin \u0026lt; -129 dBu\u003c\/p\u003e\n\u003cp\u003eLine level input:\u003c\/p\u003e\n\u003cp\u003eInput Impedance – 10K\u003c\/p\u003e\n\u003cp\u003eLine Trim - +\/- 9.5 dB\u003c\/p\u003e\n\u003cp\u003eMaximum Input Level - +24 dBu\u003c\/p\u003e\n\u003cp\u003eTHD +4dBu Line Input To Stereo Mix Output \u0026lt; 0.01%\u003c\/p\u003e\n\u003cp\u003eFrequency Response 20 Hz – 20 KHz +\/- 0.25 dB\u003c\/p\u003e\n\u003cp\u003eLine level outputs: \u003cbr\u003eMaximum Output Level - +24 dBu\u003c\/p\u003e\n\u003cp\u003eOutput Impedance – 30 Ohms\u003c\/p\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":47993503875302,"sku":"BM850057437041","price":3457.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/harrison_32classic_mixstrip_left.png?v=1784184301"},{"product_id":"warm-audio-eqp-wa","title":"Warm Audio EQP-WA Pultec Style Tube Equaliser","description":"\u003ch3\u003ePultec Style Tube Equalizer\u003c\/h3\u003e\n\u003cp\u003eThe EQP-WA is a re-creation of the most renowned tube Equalizer in studio history, the \"Pultec EQP-1A\". Not only does the look and feel of the EQP-WA match the classic Pultec units, but the sonic quality has been carefully considered by using top-end components such as CineMag transformers and premium tubes. This fully discrete Tube EQ can pull euphoric sonics from any track and bring a brilliance and luster to mixes that’s nearly impossible to achieve inside-the-box. We are proud to have once again redefined the industry standard by bringing a fully professional-grade equalizer to the market at a price that's just as remarkable as the unit.\u003c\/p\u003e\n\u003cp\u003eOur goal was to make a equalizer affordable for the first time, without compromising the quality and design parameters that make this type of equalizer so desirable.\u003c\/p\u003e\n\u003cp\u003ePremium Components\u003c\/p\u003e\n\u003cp\u003eThe EQP-WA is a high-voltage tube equalizer, utilzing CineMag USA Transformers and two premium vacuum tubes by Tung-Sol.\u003c\/p\u003e\n\u003cp\u003eA Two Tube Operation\u003c\/p\u003e\n\u003cp\u003eThe EQP-WA operates on two tubes: one 12AX7 and one 12AU7. We proudly use Tung-Sol brand tubes in this product for their sonic richness and 'open' sound. These 2 tubes are socketed for easy swapping and replacement.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eUTILIZES PREMIUM GRADE INPUT AND OUTPUT CINEMAG USA TRANSFORMERS.\u003c\/li\u003e\n\u003cli\u003eTUBE EQUALIZER BASED ON THE CLASSIC “PULTEC” EQP-1A.\u003c\/li\u003e\n\u003cli\u003ePREMIUM HIGH VOLTAGE 12AX7 AND 12AU7 TUBES.\u003c\/li\u003e\n\u003cli\u003eCINEMAG INDUCTOR EQ SECTION.\u003c\/li\u003e\n\u003cli\u003eEQ SECTION IS BYPASSABLE - SIGNAL STILL PASSES THROUGH TUBES AND TRANSFORMERS FOR WARMING EFFECT.\u003c\/li\u003e\n\u003cli\u003eXLR AND TRS TRANSFORMER BALANCED OUTPUTS.\u003c\/li\u003e\n\u003cli\u003eFLAT FREQUENCY RESPONSE FROM 20 HZ - 50 KHZ.\u003c\/li\u003e\n\u003cli\u003eXLR AND TRS TRANSFORMER BALANCED INPUTS.\u003c\/li\u003e\n\u003cli\u003eNO INSERTION LOSS - LOSS RESTORED BY TUBE AMPLIFIER.\u003c\/li\u003e\n\u003cli\u003e5 ADDED FREQUENCY POINTS FOR GREATER FLEXIBILITY.\u003c\/li\u003e\n\u003cli\u003eSWITCHABLE 115\/230 VOLT IEC POWER INLET.\u003c\/li\u003e\n\u003cli\u003eDIMENSIONS: 19 X 3.5 X 6 INCHES - 2RU RACK MOUNTABLE.\u003c\/li\u003e\n\u003cli\u003eLOW FREQUENCY BOOST - 20, 30, 60, 100, 200, 400, 800 HZ - 12 DB.\u003c\/li\u003e\n\u003cli\u003eLOW FREQUENCY CUT - 20, 30, 60, 100, 200, 400, 800 HZ - 18 DB.\u003c\/li\u003e\n\u003cli\u003eHIGH FREQUENCY BOOST - 3, 4, 5, 8, 10, 12, 16 KHZ - 18 DB.\u003c\/li\u003e\n\u003cli\u003eHIGH FREQUENCY CUT - 3, 4, 5, 10, 20 KHZ - 14 DB.\u003c\/li\u003e\n\u003cli\u003eBOOST AND CUT CONTROLS CAN BE USED SIMULTANEOUSLY FOR PHASE EFFECT.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47993503940838,"sku":"939043000054","price":1186.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/banner-eqp-wa.jpg?v=1784184301"},{"product_id":"solid-state-logic-ssl-super-9000-superanalogue-channel-strip","title":"Solid State Logic (SSL) Super 9000 SuperAnalogue Channel Strip","description":"\u003cp\u003eSuper 9000 is Solid State Logic’s all-in-one analogue channel strip, combining the best of SuperAnalogue™ technology to deliver the modern SSL sound. First introduced in the legendary SL 9000 J and perfected in the Duality, the Super 9000 Channel Strip offers the ultra-low distortion, exceptional punch, and breathtaking clarity of our SuperAnalogue™ studio consoles in 1 RU. \u003c\/p\u003e\n\u003cp\u003eThe 9000 Series made rock and pop mixes sound bigger than ever, while enhancing hip-hop and R\u0026amp;B with deep, extended low-end and shimmering highs. Renowned for making music sound larger than life, with unmatched dynamics and depth, the 9000 Series became the industry standard of its era – setting a milestone in analogue design and paving the way for the development of the Duality and Oracle consoles. Now, the Super 9000 brings that same professional polish – once exclusive to the colossal 9K consoles – straight into your studio.\u003c\/p\u003e\n\u003cp\u003ePrestigious facilities, including Abbey Road and Metropolis Studios (London), Real World Studios (Bath), Record Plant (LA), and Avatar\/Power Station (NY), quickly made the 9000 Series their standard. Top engineers such as Manny Marroquin (Alicia Keys, Rihanna), Michael Brauer (Coldplay, John Mayer), Kevin Shirley (Iron Maiden, Led Zeppelin), and Tony Maserati (Jay-Z, Beyoncé) used SuperAnalogue™ sound to craft genre-defining hits.\u003c\/p\u003e\n\u003cp\u003eSuperAnalogueTM. Design \u003cbr\u003eSuperAnalogueTM technology creates a signal path so transparent and wide bandwidth that nothing is lost, putting the engineer right there in the room with the artist. Key design elements include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSuper-wide audio bandwidth.\u003c\/li\u003e\n\u003cli\u003eRuler flat frequency response: ±0.1 dB between 20 Hz – 20 kHz. \u003c\/li\u003e\n\u003cli\u003eUltra-low transient intermodulation distortion.\u003c\/li\u003e\n\u003cli\u003eNo electrolytic capacitors in the audio path.\u003c\/li\u003e\n\u003cli\u003eExtremely low noise and harmonic distortion. \u003c\/li\u003e\n\u003cli\u003eExceptionally low phase shift across the audible spectrum.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe result is unmatched punch, definition, and a larger-than-life sound stage—qualities that define the modern “SSL sound” and are why SuperAnalogue™ consoles remain the professional’s choice for music production.\u003c\/p\u003e\n\u003cp\u003eDual Mic Amp – SuperAnalogueTM or VHDTM\u003cbr\u003eChoose between two world-class preamps, just like on SSL’s flagship Duality console. Opt for the pristine, high-headroom SuperAnalogue™ preamp for unmatched clarity, or switch to the Variable Harmonic Drive (VHD) circuit to add character and saturation. Shape your tone by dialling in 2nd order harmonics for rich, valve-like warmth, or add 3rd order harmonics for a harder, transistor-style edge. The INPUT FLIP button allows you to move the VHD circuit from the Mic Input to the Line Input, making it easy to add harmonic colour to DAW stems or line-level instruments and sources.\u003c\/p\u003e\n\u003cp\u003eVariable Harmonic Drive (VHD): \u003cbr\u003eVariable Harmonic Drive was created to provide engineers and producers with a single preamp capable of covering a wide tonal spectrum. Initially designed to complement the Duality console’s ultra-accurate SuperAnalogue™ preamp, VHD technology can be found across numerous SSL consoles and rackmount units – over the years becoming many engineers’ secret weapon for adding vibe to recordings. \u003c\/p\u003e\n\u003cp\u003eFull Dynamics Processing \u003cbr\u003eThe Super 9000 features SSL’s quintessential modern dynamics section, delivering ultimate control and punch. Built around the high-performance THAT 2181A VCA, the compressor includes a switchable Fast Attack mode and the Peak Detect option—first introduced on the SL 9000 console and carried through to the Duality series. It also incorporates SSL’s classic Expander\/Gate section with variable hysteresis built into the Threshold, plus a HOLD control for precise gate and downward expansion management. Additionally, Super 9000 allows the dynamics section to be moved Pre and Post EQ. \u003c\/p\u003e\n\u003cp\u003ePink (292) and Black (242) EQ Circuits \u0026amp; High and Low Pass Filters \u003cbr\u003eChoose your SSL EQ: the 292 G-Series ‘Pink Knob’ EQ circuit or the 242 E-Series ‘Black Knob’ EQ circuit. The 292’s variable-Q design delivers smooth, wide boosts and cuts that tighten as you push harder, while its shelves feature a steeper slope and the signature ‘undershoot\/overshoot’ for that renowned SSL musicality. The 242’s constant-Q design, developed in collaboration with Sir George Martin, gives more surgical control when compared to the 292. The Super 9000 EQ section also features two buttons labelled ‘E Bell\/G÷3’ and ‘Gx3\/E Bell.’ When in 292 mode, these buttons allow the Low-Mid Frequency to be divided by 3 and the High-Mid Frequency to be multiplied by 3, so that the mid-bands can be used to target frequencies normally far outside of their standard range, providing incredible flexibility and range. In 242 mode, these buttons switch the Low Frequency and High Frequency bands between Bell and Shelving modes. As expected from SSL, the EQ can be placed in the dynamics sidechain, and the high-pass (18dB\/oct) and low-pass (12dB\/oct) filters can be fully bypassed or routed to input or sidechain for ultimate control.\u003c\/p\u003e\n\u003cp\u003eFlexible Processing \u0026amp; Routing \u003cbr\u003eSuper 9000 includes a balanced insert point for integrating additional outboard gear into the signal path. The insert can be repositioned from its default location (immediately after the input stage) to the output stage, just before the Output Trim. It also features a dedicated external sidechain (key) input, flexible processing re-ordering, and sidechain linking—ideal when using two Super 9000 units as a stereo pair. \u003c\/p\u003e\n\u003cp\u003eInput Flip control routes the LINE input to the Mic Pre, whilst the rear MIC connection becomes routed through the LINE path – an easy way to process line level DAW returns with saturation\/distortion processing at the mix stage, without having to manually re-patch. \u003c\/p\u003e\n\u003cp\u003eKey Features \u003c\/p\u003e\n\u003cp\u003eDual Mic Pre – Choose between SuperAnalogue™ (9000) \u0026amp; VHD™ (Duality) w\/ +48V, Polarity invert, and Pad. \u003cbr\u003e2 Impedance options for the mic pre: 1.3 kΩ and 11 kΩ. \u003cbr\u003eDedicated LINE Input with “Input Flip”. \u003cbr\u003eQuintessential 9000\/Duality Dynamics section. \u003cbr\u003eo High-Performance THAT 2181A VCA compressor section. \u003c\/p\u003e\n\u003cp\u003e§ Peak\/Hard Knee or Soft Knee modes. \u003c\/p\u003e\n\u003cp\u003e§ FAST attack on\/off. \u003c\/p\u003e\n\u003cp\u003eo Classic Gate\/Expander section. \u003c\/p\u003e\n\u003cp\u003e§ Fast attack on\/off. \u003c\/p\u003e\n\u003cp\u003e§ Hold control.\u003c\/p\u003e\n\u003cp\u003e4-band SSL EQ with switchable modes. \u003cbr\u003eo Fully parametric mid-bands. \u003c\/p\u003e\n\u003cp\u003eo Switchable between G-Series ‘Pink Knob’ 292 and E-Series ‘Black Knob’ 242 circuits. \u003c\/p\u003e\n\u003cp\u003eHigh and Low Pass filters. \u003cbr\u003eo 18 dB per octave HPF \u0026amp; 12 dB per octave LPF. \u003c\/p\u003e\n\u003cp\u003eInsert point for connecting external devices into the signal path. \u003cbr\u003eExtensive ‘to sidechain’ functionality. \u003cbr\u003eo Filters to Dynamics sidechain. \u003c\/p\u003e\n\u003cp\u003eo EQ to Dynamics sidechain. \u003c\/p\u003e\n\u003cp\u003eFlexible process-order routing. \u003cbr\u003eo Filters to input, Dynamics post-EQ, and Insert to output. \u003c\/p\u003e\n\u003cp\u003eLine Output Trim.\u003cbr\u003eSwitchable Input and Output metering. \u003cbr\u003eExternal sidechain (key) input. \u003cbr\u003eDynamics sidechain link – allows 2 x Super 9000’s compressors to work as a stereo pair (loudest signal wins). Linking via a TS\/TRS jack cable (not included). \u003c\/p\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":47993504006374,"sku":"BM878076002118","price":3039.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/super_9000_left.png?v=1784184303"},{"product_id":"warm-audio-wa76","title":"Warm Audio WA76 Discrete Compressor","description":"\u003ch3\u003eClassic Style\u003c\/h3\u003e\n\u003cp\u003eThe WA76 Discrete Compressor is a modern reproduction of the Classic '76 Revision D. The WA76 has a fully discrete signal path and uses the original Reichenbach Engineering's (now CineMag) transformer design. The classic '76 was a major breakthrough in limiter technology, and used on hundreds of hit records since its inception. Engineers have craved the ultra-fast attack time and trademark sound of the '76 for decades, and now it is finally affordable!\u003c\/p\u003e\n\u003cp\u003eOur goal was to make a compressor of this pedigree affordable for the first time, without compromising the quality and design parameters that make this type of compressor so desirable.\u003c\/p\u003e\n\u003cp\u003eAll Buttons In\u003c\/p\u003e\n\u003cp\u003eThe WA76 can reproduce the classic effect known as ‘All Buttons In’ mode, sometimes also referred to as ‘British Mode’ or the ‘Four Button Trick’. Originally an accident due to the mechanical nature of the interconnected latching switches, this mode is reproduced by pushing in all four ratio buttons simultaneously and getting them to latch. This can take a bit of practice. The resulting compression curve is aggressive and unmistakably unique, and can be heard on the drum tracks of many classic recordings.\u003c\/p\u003e\n\u003cp\u003eAll-buttons-in compression is typically characterized by having a very aggressive compression ratio, attack and release curves that are more drastic plateaus opposed to gentler slopes, and more audible distortion or ‘overdrive’ on the signal. Initial transients are more likely to come through loudly, followed by heavy compression curve sometimes described as having a ‘sucking’ effect as the compressor releases. Because this mode is considered a design accident, faithfully maintained; it is normal for the meter function to ‘peg out’ and cease providing accurate metering.\u003c\/p\u003e\n\u003cp\u003ePremium Components\u003c\/p\u003e\n\u003cp\u003eWe have faithfully reproduced the circuitry of the revision D, generally considered one of the best and most popular among the different versions made over the years. We’ve used all discrete, through-hole components, high quality CineMag input and output transformers, and a class A circuit that stays true to the legacy design.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eUTILIZES PREMIUM GRADE INPUT AND OUTPUT CINEMAG USA TRANSFORMERS.\u003c\/li\u003e\n\u003cli\u003eTRUE TO THE CLASSIC '76 COMPRESSOR IN DESIGN AND PERFORMANCE.\u003c\/li\u003e\n\u003cli\u003eCOMPLETELY DISCRETE SIGNAL PATH.\u003c\/li\u003e\n\u003cli\u003eMODELED AFTER THE D REVISION.\u003c\/li\u003e\n\u003cli\u003eSUPPORTS THE FAMOUS \"ALL BUTTONS IN\" RATIO SETTING.\u003c\/li\u003e\n\u003cli\u003eULTRA FAST ATTACK TIME.\u003c\/li\u003e\n\u003cli\u003eCLASS A LINE LEVEL OUTPUT AMPLIFIER.\u003c\/li\u003e\n\u003cli\u003eINPUT IMPEDANCE - 600 OHMS, BRIDGES-T CONTROL (FLOATING).\u003c\/li\u003e\n\u003cli\u003eFREQUENCY RESPONSE ± 1 DB 20 HZ TO 20KHZ.\u003c\/li\u003e\n\u003cli\u003eXLR AND TRS INPUTS. XLR AND TRS OUTPUTS.\u003c\/li\u003e\n\u003cli\u003e50DB OF GAIN.\u003c\/li\u003e\n\u003cli\u003eLESS THAN 0.4% TOTAL HARMONIC DISTORTION FROM 50 HZ TO 20 KHZ WITH LIMITING.\u003c\/li\u003e\n\u003cli\u003eSIGNAL TO NOISE RATIO IS GREATER THAN 74 DB AT +25 DBM.\u003c\/li\u003e\n\u003cli\u003eEIN -104.1 DBM.\u003c\/li\u003e\n\u003cli\u003eATTACK TIME, 20 MICROSECONDS TO 800 MICROSECONDS.\u003c\/li\u003e\n\u003cli\u003eRELEASE TIME, 50 MILLISECONDS TO 1 SECOND.\u003c\/li\u003e\n\u003cli\u003eMETER PROVIDES DB GAIN REDUCTION AND DB OUTPUT.\u003c\/li\u003e\n\u003cli\u003eSWITCHABLE 115\/230 VOLT IEC POWER INLET.\u003c\/li\u003e\n\u003cli\u003e19″ RACKMOUNT CHASSIS, 2U.\u003c\/li\u003e\n\u003cli\u003e1-YEAR WARRANTY.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47993504071910,"sku":"939043000053","price":1044.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/76boy.jpg?v=1784184303"},{"product_id":"ssl-revival-4000-channel-strip","title":"SSL Revival 4000 Channel Strip","description":"\u003cp\u003eRevival 4000 is a high-performance, all-analogue channel strip from Solid State Logic, delivering the unmistakable sound of the early 1980s SL 4000 Series consoles—a sound that set the industry standard and helped shape the music of iconic artists including Peter Gabriel, Phil Collins, Bryan Adams, Pink Floyd, Prince, U2, Metallica, and many more. Drawing on the revered circuitry of both the B and E Series consoles, the Revival 4000 offers the signature tone and sonic flexibility that form the very foundation of SSL’s legacy.\u003c\/p\u003e\n\u003cp\u003eOriginally launched in 1976, the SSL 4000 Series consoles revolutionised music production, setting a new industry benchmark that would go on to shape music history. It all began with the rare SL 4000 B console, installed at London’s Townhouse Studios. The 4000 B was used to create groundbreaking hits like Intruder by Peter Gabriel and the seminal gated-drum sensation In the Air Tonight by Phil Collins.\u003c\/p\u003e\n\u003cp\u003eThis set the tone for what would become the most influential mixing console of all time—the SL 4000 E. Introduced in 1979, the 4000 E became the heartbeat of legendary studios such as Abbey Road, Electric Lady, and The Hit Factory. It empowered engineers like Hugh Padgham (David Bowie, Paul McCartney, The Police), Chris and Tom Lord-Alge (James Brown, The Rolling Stones, Santana), and Andy Wallace (Prince, Bruce Springsteen, Nirvana) to craft their sound.\u003c\/p\u003e\n\u003cp\u003eIntroducing the Revival 4000—a signature analogue channel strip that encapsulates the sonic excellence and standout features of the legendary 4000 Series in a compact 1U format. Equipped with the classic E Series JT-115K-E Jensen transformer-balanced mic preamp, B Series De-Esser, the discrete Class A VCA Dynamics section from the E Series, and the iconic four-band parametric E Series EQ—complete with high-pass\/low-pass filters and switchable Brown\/Black knob EQ. \u003c\/p\u003e\n\u003cp\u003eOffering flexible routing, a balanced insert point, and sidechain linking, the Revival 4000 is the foundational legacy channel strip, bringing SSL’s analogue heritage into any modern studio.\u003c\/p\u003e\n\u003cp\u003eKey Features: \u003c\/p\u003e\n\u003cp\u003eClassic Jensen Transformer Equipped SSL 4000 E Mic Preamp\u003c\/p\u003e\n\u003cp\u003eFeaturing a JT-115K-E Jensen transformer-balanced preamp, the Revival 4000 delivers richness and pristine clarity to your recordings. This circuit incorporates the very same Jensen component found in the original E Series channel strips.\u003c\/p\u003e\n\u003cp\u003e4000 B-Series De-Esser \u003c\/p\u003e\n\u003cp\u003eRevival 4000’s De-Esser is lifted from the original compressor\/limiter design of the iconic 4000 B console, delivering 10:1 ratio and a 7 kHz sidechain filter. This configuration enables broadband compression that’s precisely triggered by sibilance, making it ideal for taming harsh vocals, drums, or other aggressive sources. Its musicality is further elevated by a circuit design that mirrors that of the legendary SSL Bus Compressor, adding a familiar clarity and character to any signal.\u003c\/p\u003e\n\u003cp\u003eUltimate 4000 E Series Dynamics Section \u003c\/p\u003e\n\u003cp\u003eThe iconic dynamics section that defined the sound of the 1980s—fully featured and faithfully recreated. The compressor\/gate design stays true to the original E Series channel strip, meticulously replicating the circuitry and components that gave it its legendary character. It includes a true RMS sidechain detector and an all-discrete gain reduction stage, identical to the discrete Class A VCA chip used in the original console. \u003c\/p\u003e\n\u003cp\u003eFlexible controls allow you to bypass the soft-knee curve, activate a fast attack mode, and choose between logarithmic or linear release curves. Together, these features offer a wide palette of tonal shaping options, capturing the distinctive voicings that helped craft countless classic records on a variety of E Series consoles.\u003c\/p\u003e\n\u003cp\u003eClassic 4-Band SSL EQ\u003c\/p\u003e\n\u003cp\u003eThe celebrated 4-band parametric EQ that helped shape modern music. Revival 4000 features two iconic EQ options: the classic 4000 E Brown Knob (02) and the legendary Black Knob (242).\u003c\/p\u003e\n\u003cp\u003eThe Brown Knob EQ includes two fully parametric mid bands with SSL’s signature symmetrical design, ensuring consistent musical intervals around the centre frequency, no matter the gain or frequency settings. The high and low bands are 6 dB\/octave shelving filters, with an option to switch to a fixed-Q bell response. This EQ became a staple of early '80s recordings and mixes.\u003c\/p\u003e\n\u003cp\u003eDeveloped in 1983 the ‘242’ EQ circuit in collaboration with the legendary George Martin for the first SSL console installed at AIR Studios. Known as the Black Knob EQ, it introduced wider cut and boost ranges (±18 dB vs. ±15 dB), a refined control response, and a steeper 18 dB\/octave high-pass filter—offering tighter low-end control and greater tonal flexibility.\u003c\/p\u003e\n\u003cp\u003eFlexible Processing \u0026amp; Routing \u003c\/p\u003e\n\u003cp\u003eRevival 4000 includes a dedicated balanced insert point, allowing you to seamlessly integrate external outboard gear into the signal path. It also features a dedicated external sidechain (key) input, flexible processing order, and sidechain linking, ideal for pairing two units as a stereo setup. \u003c\/p\u003e\n\u003cp\u003eSpecification: \u003c\/p\u003e\n\u003cp\u003e· Classic SSL 4000 E Jensen transformer-balanced mic preamp.\u003c\/p\u003e\n\u003cp\u003e· Musical one-knob 4000 B De-Esser section.\u003c\/p\u003e\n\u003cp\u003e· +48V, Polarity invert, Pad and Line Input.\u003c\/p\u003e\n\u003cp\u003e· Ultimate 4000 E Series Dynamics section:\u003c\/p\u003e\n\u003cp\u003eo Discrete Class A VCA compressor section.\u003c\/p\u003e\n\u003cp\u003e§ Soft or Hard Knee modes.\u003c\/p\u003e\n\u003cp\u003e§ Fast attack on\/off.\u003c\/p\u003e\n\u003cp\u003e§ Logarithmic or Linear Release modes.\u003c\/p\u003e\n\u003cp\u003eo Classic Gate\/Expander section:\u003c\/p\u003e\n\u003cp\u003e§ With Fast attack on\/off. \u003c\/p\u003e\n\u003cp\u003e· Classic 4-band SSL EQ:\u003c\/p\u003e\n\u003cp\u003eo Fully parametric mid-bands.\u003c\/p\u003e\n\u003cp\u003eo Switchable Brown Knob ‘02’ and Black Knob ‘242’ EQ Circuits.\u003c\/p\u003e\n\u003cp\u003e· High and Low Pass Filters:\u003c\/p\u003e\n\u003cp\u003eo Brown 02 mode – 12 dB per octave HPF \u0026amp; LPF.\u003c\/p\u003e\n\u003cp\u003eo Black 242 mode – 18 dB per octave HPF \u0026amp; 12 dB per octave LPF.\u003c\/p\u003e\n\u003cp\u003e· Balanced Insert point for connecting external devices into the signal path.\u003c\/p\u003e\n\u003cp\u003e· Extensive ‘to sidechain’ functionality:\u003c\/p\u003e\n\u003cp\u003eo Filters to Dynamics sidechain. \u003c\/p\u003e\n\u003cp\u003eo EQ to Dynamics sidechain.\u003c\/p\u003e\n\u003cp\u003e· Flexible process-order routing: \u003c\/p\u003e\n\u003cp\u003eo Filters to input, Dynamics and De-Ess post-EQ options, Insert to output.\u003c\/p\u003e\n\u003cp\u003e· Line Output Trim.\u003c\/p\u003e\n\u003cp\u003e· Switchable input\/output metering.\u003c\/p\u003e\n\u003cp\u003e· External sidechain (key) input.\u003c\/p\u003e\n\u003cp\u003e· Dynamics sidechain link – allows 2 x Revival 4000s compressors to work as a stereo pair.\u003c\/p\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":47993504137446,"sku":"BM878076002088","price":3039.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/ssl_revival_4000_-_left.jpg?v=1784184304"},{"product_id":"warm-audio-wa-2a","title":"Warm Audio WA-2A Opto Compressor","description":"\u003ch3\u003eAnalog Tone\u003c\/h3\u003e\n\u003cp\u003eThough digital technology and software have made great strides in recent years; we still believe that nothing compares to the level of articulation, depth, realism, and responsiveness of a well-built piece of analog gear. When you hear the bottom-end presence and top-end detail of quality analog gear, the difference is astounding. The cost of most boutique analog equipment is financially out of reach for many recording artists. Our mission is to change this, and introduce as many people as we can to recording and mixing with real, dedicated hardware.\u003c\/p\u003e\n\u003cp\u003e'2A Style Optical Compressor\u003c\/p\u003e\n\u003cp\u003eNo plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of the classic '2A optical compressor. For decades, the renowned ‘2A style circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments and program material in an effortlessly smooth way.\u003c\/p\u003e\n\u003cp\u003eReleasing the WA-2A would be for nothing if we couldn’t make it affordable. Since the start of Warm Audio we have striven to give an unprecedented value to our customers, by putting high end audio within the reach of more people than ever before. This philosophy drives everything we do, and every product we offer.\u003c\/p\u003e\n\u003cp\u003ePremium Components\u003c\/p\u003e\n\u003cp\u003eThe WA-2A is a high-voltage, Class-A opto-compressor, utilizing large-core CineMag USA Transformers, four premium vacuum tubes, and the legendary Kenetek opto-cell - considered by many to be the world’s finest.\u003c\/p\u003e\n\u003cp\u003eA Four Tube Operation\u003c\/p\u003e\n\u003cp\u003eThe WA-2A operates on four tubes: two 12AX7’s, one 12BH7, and one 6aq5 (or 6P1J). We proudly use Tung-Sol and Electro-Harmonix brand tubes in the signal path, which sound very 'open' and LARGE. All 4 tubes are socketed for easy swapping and replacement.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e'2A STYLE, TRANSFORMER BALANCED, HIGH VOLTAGE, OPTO TUBE COMPRESSOR\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47993504235750,"sku":"939043000060","price":1566.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/wa-2a-reflected.jpg?v=1784184305"},{"product_id":"presonus-central-station-plus-monitoring-system","title":"PreSonus Central Station Plus Monitoring System","description":"\u003ch2\u003ePreSonus Central Station Plus Monitoring System\u003c\/h2\u003e\n\u003cp\u003eYou mostly monitor on near-fields, but occasionally switch to big main speakers or a second set of near-fields. You need to be able to switch between multiple sources and want to hear what your mix sounds like with and without subwoofer. You want to monitor straight from digital sources as well as analog. And you don’t want cables cluttering your workspace in order to achieve all that.\u003c\/p\u003e\n\u003ch3\u003eMeet the Central Station PLUS.\u003c\/h3\u003e\n\u003cp\u003eCentral Station PLUS is one of our most popular products for professional studios because it provides the perfect combination of stereo inputs, outputs, and recording-communication functions, allowing you to easily manage multiple sources and monitor speakers.\u003c\/p\u003e\n\u003ch3\u003eA Wide Variety of Input and Output Options\u003c\/h3\u003e\n\u003cp\u003eWith Central Station, you can easily switch between three sets of stereo, analog input sources. Two stereo S\/PDIF digital sources connect via one coax and one Toslink optical port. You can audition these sources with up to three pairs of speakers, with individual trim pots for each speaker—recessed to avoid accidents.\u003c\/p\u003e\n\u003cp\u003eYou also get a pair of line-level main outputs, a pair of line-level cue outputs, and two screaming-loud headphone amplifiers with individual level controls. And because Central Station is a 1U rack-mount device, with only one multi-conductor cable running to the remote control on your desktop, all of the cabling is in the back of your rack, where it belongs.\u003c\/p\u003e\n\u003ch3\u003eHigh-End Audio Quality\u003c\/h3\u003e\n\u003cp\u003eThe pros know that for critical listening, a monitor-control system must be as sonically transparent as possible. That’s why we gave the Central Station an audiophile-quality, passive signal path, with no op-amps or ICs, and equipped the S\/PDIF inputs with high-definition, 24-bit, 192 kHz D\/A converters.\u003c\/p\u003e\n\u003ch3\u003eThe Meters\u003c\/h3\u003e\n\u003cp\u003eBeing from southeast Louisiana, we’re big fans of The Meters (Art Neville, Leo Nocentelli, George Porter, Jr., and Joseph Modeliste). Being audio professionals, we’re into extremely accurate metering.\u003c\/p\u003e\n\u003cp\u003eTo enable you to watch your input levels, the Central Station sports dual 30-segment, tri-coloured, fast-acting, peak-hold LED meters, which can display dBu and dBfs. A handy Clear switch lets you clear the peak-hold.\u003c\/p\u003e\n\u003cp\u003eUnlike The Meters, these meters are anything but funky!\u003c\/p\u003e\n\u003ch3\u003eA Complete Tool Set\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003eBecause Central Station PLUS is a professional tool, we’ve included all of the key features you’ll need to manage monitors in a commercial or project studio. Speak to the musicians over the headphone and cue buses using the onboard talkback microphone or connect a dynamic mic to the XLR talkback input.\u003c\/p\u003e\n\u003cp\u003eThe cue signal is automatically dimmed when you use the talkback mic, and a jack admits a foot switch for hands-free talkback operation. A Mono switch sums the stereo source so you can check for phase problems, and a Dim switch lets you reduce the speaker output by 16 dB.\u003c\/p\u003e\n\u003cp\u003eOf course, you can mute the speakers as well.\u003c\/p\u003e\n\u003cp\u003eFinally, with the included CSR-1, you can remote-control the Central Station’s main volume, input select, output select, talkback, mute, dim, and mono functions.\u003c\/p\u003e\n\u003ch3\u003eThe Professional’s Choice\u003c\/h3\u003e\n\u003cp\u003eWith pristine audio quality; the ability to switch between multiple analog and digital sources and three sets of speakers; fast, accurate metering; and all of the extras that make your studio work easier and more efficient, it’s obvious why the Central Station PLUS is the professional engineer’s choice for monitor control.\u003c\/p\u003e","brand":"Presonus","offers":[{"title":"Default Title","offer_id":47993504268518,"sku":"930249000152","price":1234.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/central_station_2_1.jpg?v=1784184306"},{"product_id":"warm-audio-wa273-eq","title":"Warm Audio WA273-EQ Dual Channel British Style Mic Preamp + EQ","description":"\u003ch3\u003eA Dual Channel '73 For The Rest Of Us\u003c\/h3\u003e\n\u003cp\u003eIf there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003c\/p\u003e\n\u003cp\u003eWhen we at Warm Audio decided to release the WA273-EQ it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA273-EQ was born!\u003c\/p\u003e\n\u003cp\u003eThe WA273-EQ is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA273-EQ equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA273-EQ can’t handle.\u003c\/p\u003e\n\u003cp\u003eUK Custom Carnhill Transformers\u003c\/p\u003e\n\u003cp\u003eEnthusiasts unequivocally get excited about the components used in classic '73-style British preamps. The signal transformers are a common topic of conversation. Vintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions. These are regarded as the most desirable choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them!\u003c\/p\u003e\n\u003cp\u003eWarm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful reproductions of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA273-EQ with these beautiful custom Transformers.\u003c\/p\u003e\n\u003cp\u003eCapacitors \u0026amp; Signal Path\u003c\/p\u003e\n\u003cp\u003eAn important part of classic British tone not often discussed are the different styles of capacitors and output transistor used in '73-style circuits. We found it important to maintain integrity to early British designs by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern '73-style preamps.\u003c\/p\u003e\n\u003cp\u003eUK Blore Edwards Switch-Pots\u003c\/p\u003e\n\u003cp\u003eA great sounding '73-style circuit should be just as reliable as it is great sounding. The complex dual concentric switch potentiometers in the EQ sections of the WA273-EQ are made in the UK by Blore Edwards who manufacture military spec switches and potentiometers. The use of Blore-Edwards components is no small inclusion for a '73-style preamp-eq in this price range.\u003c\/p\u003e\n\u003cp\u003eHand Wired \u0026amp; Hand Assembled\u003c\/p\u003e\n\u003cp\u003eClassic '73-style preamps were often hand-wired and so is the WA273-EQ! Guru’s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build. The WA273-EQ is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDUAL CHANNEL, CLASS A, '73-STYLE BRITISH MICROPHONE PREAMP WITH EQ\u003c\/li\u003e\n\u003cli\u003eUK MADE CARNHILL TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eUK MADE - BLORE EDWARDS EQ DUAL-CONCENTRIC SWITCH POTENTIOMETERS\u003c\/li\u003e\n\u003cli\u003eHAND WIRED, HAND ASSEMBLED\u003c\/li\u003e\n\u003cli\u003e80DB OF GAIN - RESISTOR STEPPED GAIN SWITCH\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON - CHANGES INPUT TRANSFORMER IMPEDANCE FOR VARYING TONE\u003c\/li\u003e\n\u003cli\u003ePOLARITY SWITCH\u003c\/li\u003e\n\u003cli\u003e48V PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003eLOW BAND BOOST\/CUT - 35, 60, 110, 220 HZ\u003c\/li\u003e\n\u003cli\u003eMID BAND BOOST\/CUT - 360, 700, 1600, 3200, 4800, 7200 HZ\u003c\/li\u003e\n\u003cli\u003eHIGH BAND BOOST\/CUT - 10, 12, 16 KHZ\u003c\/li\u003e\n\u003cli\u003eADDITIONAL HIGH BAND FREQUENCY EQ POINTS ADDED (COMPARED TO VINTAGE 1073)\u003c\/li\u003e\n\u003cli\u003e4 POSITION INDUCTOR BASED HIPASS FILTER - 50, 80, 160, 300 HZ\u003c\/li\u003e\n\u003cli\u003eXLR MIC INPUTS (FRONT \u0026amp; BACK)\u003c\/li\u003e\n\u003cli\u003eLINE LEVEL TRS INPUT\u003c\/li\u003e\n\u003cli\u003eTS SEND\/RECEIVE INSERT JACKS\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; TRS LINE LEVEL OUTPUTS\u003c\/li\u003e\n\u003cli\u003eDIRECT IN, INSTRUMENT INPUT\u003c\/li\u003e\n\u003cli\u003eOUTPUT CONTROL\u003c\/li\u003e\n\u003cli\u003eLED LEVEL INDICATION\u003c\/li\u003e\n\u003cli\u003eFREQ RESPONSE 20HZ - 20KHZ +\/-.5 DB\u003c\/li\u003e\n\u003cli\u003e19\" RACKMOUNTABLE\u003c\/li\u003e\n\u003cli\u003eINTERNAL IEC 115V\/230V POWER INLET\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47993504366822,"sku":"939043000076","price":2564.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/banner-wa273-eq.jpg?v=1784184307"},{"product_id":"presonus-monitor-station-v2-desktop-monitor-control","title":"PreSonus Monitor Station v2 Desktop Studio Control","description":"\u003ch2\u003eTake Control of Your Monitors\u003cbr\u003eMonitor Station V2: The desktop speaker-management solution.\u003c\/h2\u003e\n\u003cp\u003eEquip your studio with pro monitoring features for a song.\u003cbr\u003eManage multiple audio sources and sets of monitor speakers, track using illegally loud headphone amplifiers, and talk back to your drummer—all from your desktop.\u003c\/p\u003e\n\u003cp\u003eConsider your sources.\u003c\/p\u003e\n\u003cp\u003eSwitch quickly and easily between up to four audio sources with a selection of input types.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e","brand":"Presonus","offers":[{"title":"Default Title","offer_id":47993504432358,"sku":"930249000143","price":664.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/monitor-station-v2---top_big.jpg?v=1784184307"},{"product_id":"warm-audio-wa273","title":"Warm Audio WA273 Dual Channel British Style Mic Preamp","description":"\u003ch3\u003eA Dual Channel '73 For The Rest Of Us\u003c\/h3\u003e\n\u003cp\u003eIf there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003c\/p\u003e\n\u003cp\u003eWhen we at Warm Audio decided to release the WA273 it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA273 was born!\u003c\/p\u003e\n\u003cp\u003eThe WA273 is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA273 equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA273 can’t handle.\u003c\/p\u003e\n\u003cp\u003eUK Custom Carnhill Transformers\u003c\/p\u003e\n\u003cp\u003eEnthusiasts unequivocally get excited about the components used in classic '73-style British preamps. The signal transformers are a common topic of conversation. Vintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions. These are regarded as the most desirable choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them!\u003c\/p\u003e\n\u003cp\u003eWarm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful reproductions of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA273 with these beautiful custom Transformers.\u003c\/p\u003e\n\u003cp\u003eCapacitors \u0026amp; Signal Path\u003c\/p\u003e\n\u003cp\u003eAn important part of classic British tone not often discussed are the different styles of capacitors and output transistor used in '73-style circuits. We found it important to maintain integrity to early British designs by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern '73-style preamps.\u003c\/p\u003e\n\u003cp\u003eHand Wired \u0026amp; Hand Assembled\u003c\/p\u003e\n\u003cp\u003eClassic '73-style preamps were often hand-wired and so is the WA273! Guru’s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build. The WA273 is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDUAL CHANNEL, CLASS A, '73-STYLE BRITISH MICROPHONE PREAMP\u003c\/li\u003e\n\u003cli\u003eUK MADE CARNHILL TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eHAND WIRED, HAND ASSEMBLED\u003c\/li\u003e\n\u003cli\u003e80DB OF GAIN - RESISTOR STEPPED GAIN SWITCH\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON - CHANGES INPUT TRANSFORMER IMPEDANCE FOR VARYING TONE\u003c\/li\u003e\n\u003cli\u003ePOLARITY SWITCH\u003c\/li\u003e\n\u003cli\u003e48V PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003e4 POSITION INDUCTOR BASED HIPASS FILTER - 50, 80, 160, 300 HZ\u003c\/li\u003e\n\u003cli\u003eXLR MIC INPUT\u003c\/li\u003e\n\u003cli\u003eLINE LEVEL TRS INPUT\u003c\/li\u003e\n\u003cli\u003eTS SEND\/RECEIVE INSERT JACKS\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; TRS LINE LEVEL OUTPUTS\u003c\/li\u003e\n\u003cli\u003eDIRECT IN, INSTRUMENT INPUT\u003c\/li\u003e\n\u003cli\u003eFREQ RESPONSE 20HZ - 20KHZ +\/-.5 DB\u003c\/li\u003e\n\u003cli\u003e19\" RACKMOUNTABLE\u003c\/li\u003e\n\u003cli\u003eINTERNAL IEC 115V\/230V POWER INLET\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47993504497894,"sku":"939043000072","price":1709.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/banner-wa273_1__1.jpg?v=1784184308"},{"product_id":"behringer-xenyx-control2usb-studio-monitor-controller","title":"Behringer Xenyx CONTROL2USB Studio Monitor Controller","description":"\u003cul\u003e\n\u003cli\u003ePremium, ultra-low noise and high headroom studio control and communication center\u003c\/li\u003e\n\u003cli\u003eAll-in-one Master Volume controller, Source selector, Monitor switcher and Talkback box\u003c\/li\u003e\n\u003cli\u003e4 stereo inputs with independent level controls plus additional Monitor Mix input for your DAW\u003c\/li\u003e\n\u003cli\u003e3 independent and adjustable Monitor outputs to connect up to 3 sets of studio monitors\u003c\/li\u003e\n\u003cli\u003eBuilt-in Talkback microphone with Level control for direct communication with musicians\u003c\/li\u003e\n\u003cli\u003eLarge Volume knob with true VCA control for extremely precise level adjustments\u003c\/li\u003e\n\u003cli\u003eBuilt-in stereo USB Audio Interface, perfect for computer-based studios\u003c\/li\u003e\n\u003cli\u003ePremium-quality phono preamp for direct turntable connection\u003c\/li\u003e\n\u003cli\u003e2 powerful headphone amplifiers with separate volume controls\u003c\/li\u003e\n\u003cli\u003eConvenient Mono, Mute and Dim functions right at your fingertips\u003c\/li\u003e\n\u003cli\u003eHigh-precision dual 12-segment LED meters with input\/output source switch\u003c\/li\u003e\n\u003cli\u003e\"Planet Earth\" switching power supply for maximum flexibility (100\u003c\/li\u003e\n\u003cli\u003e- 240 V~), noise-free audio, superior transient response plus low power consumption for energy savings\u003c\/li\u003e\n\u003cli\u003e3-Year Warranty Program*\u003c\/li\u003e\n\u003cli\u003eDesigned and engineered in Germany\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e* This product is covered by 1-year warranty, with extension to 3-year warranty upon registration of the product at behringer.com within 90 days of purchase.\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":47993504563430,"sku":"930006016732","price":293.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/control2usb_p0bp0_fisheye_b.png?v=1784184309"},{"product_id":"warm-audio-wa73-eq","title":"Warm Audio WA73-EQ Single Channel British Style Mic Preamp","description":"\u003ch3\u003eA Single Channel '73 For The Rest Of Us\u003c\/h3\u003e\n\u003cp\u003eIf there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003c\/p\u003e\n\u003cp\u003eWhen we at Warm Audio decided to release the WA73-EQ it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA73-EQ was born!\u003c\/p\u003e\n\u003cp\u003eThe WA73-EQ is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA73-EQ equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA73-EQ can’t handle.\u003c\/p\u003e\n\u003ch3\u003eUK Custom Carnhill Transformers\u003c\/h3\u003e\n\u003cp\u003eEnthusiasts unequivocally get excited about the components used in classic '73-style British preamps. The signal transformers are a common topic of conversation. Vintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions. These are regarded as the most desirable choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them!\u003c\/p\u003e\n\u003cp\u003eWarm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful reproductions of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA73-EQ with these beautiful custom Transformers.\u003c\/p\u003e\n\u003ch3\u003eCapacitors \u0026amp; Signal Path\u003c\/h3\u003e\n\u003cp\u003eAn important part of the classic British circuits not often discussed are the different styles of capacitors and output transistor used. We found it important to maintain integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern '73-style reproductions.\u003c\/p\u003e\n\u003ch3\u003eUK Blore Edwards Switch-Pots\u003c\/h3\u003e\n\u003cp\u003eA great sounding '73-style circuit should be just as reliable as it is great sounding. The complex dual concentric switch potentiometers in the EQ sections of the WA73-EQ are made in the UK by Blore Edwards who manufacture military spec switches and potentiometers. The use of Blore-Edwards components is no small inclusion for a '73-style preamp-eq in this price range.\u003c\/p\u003e\n\u003ch3\u003eHand Wired \u0026amp; Hand Assembled\u003c\/h3\u003e\n\u003cp\u003eClassic '73-style preamps were often hand-wired and so is the WA73-EQ! Guru’s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build. The WA73-EQ is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSINGLE CHANNEL, CLASS A, '73-STYLE BRITISH MICROPHONE PREAMP WITH EQ\u003c\/li\u003e\n\u003cli\u003eUK MADE CARNHILL TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eUK MADE - BLORE EDWARDS EQ DUAL-CONCENTRIC SWITCH POTENTIOMETERS\u003c\/li\u003e\n\u003cli\u003eHAND WIRED, HAND ASSEMBLED\u003c\/li\u003e\n\u003cli\u003e80DB OF GAIN - RESISTOR STEPPED GAIN SWITCH\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON - CHANGES INPUT TRANSFORMER IMPEDANCE FOR VARYING TONE\u003c\/li\u003e\n\u003cli\u003ePOLARITY SWITCH\u003c\/li\u003e\n\u003cli\u003e48V PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003eINDUCTOR BASED 3 BAND EQ\u003c\/li\u003e\n\u003cli\u003eLOW BAND BOOST\/CUT - 35, 60, 110, 220 HZ\u003c\/li\u003e\n\u003cli\u003eMID BAND BOOST\/CUT - 360, 700, 1600, 3200, 4800, 7200 HZ\u003c\/li\u003e\n\u003cli\u003eHIGH BAND BOOST\/CUT - 10, 12, 16 KHZ\u003c\/li\u003e\n\u003cli\u003eADDITIONAL HIGH BAND FREQUENCY EQ POINTS ADDED (COMPARED TO VINTAGE 1073)\u003c\/li\u003e\n\u003cli\u003e4 POSITION INDUCTOR BASED HIPASS FILTER - 50, 80, 160, 300 HZ\u003c\/li\u003e\n\u003cli\u003eXLR MIC INPUTS (FRONT \u0026amp; BACK)\u003c\/li\u003e\n\u003cli\u003eLINE LEVEL TRS INPUT\u003c\/li\u003e\n\u003cli\u003eTS SEND\/RECEIVE INSERT JACKS\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; TRS LINE LEVEL OUTPUTS\u003c\/li\u003e\n\u003cli\u003eDIRECT IN, INSTRUMENT INPUT\u003c\/li\u003e\n\u003cli\u003eOUTPUT CONTROL\u003c\/li\u003e\n\u003cli\u003eLED LEVEL INDICATION\u003c\/li\u003e\n\u003cli\u003eFREQ RESPONSE 20HZ - 20KHZ +\/-.5 DB\u003c\/li\u003e\n\u003cli\u003e19\" RACK MOUNTABLE\u003c\/li\u003e\n\u003cli\u003eINTERNAL IEC 115V\/230V POWER INLET\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47993504628966,"sku":"939043000075","price":1310.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/banner-wa73-eq.png?v=1784184310"},{"product_id":"behringer-monitor2usb-desktop-monitor-control","title":"Behringer Monitor2USB Desktop Monitor Control","description":"\u003ch3\u003eHigh-End Speaker and Headphone Monitoring Controller with VCA Control and USB Audio Interface\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePremium speaker and headphones monitoring center\u003c\/li\u003e\n\u003cli\u003eLarge Volume knob with true VCA control for extremely precise level adjustments\u003c\/li\u003e\n\u003cli\u003eBuilt-in stereo USB Audio Interface, perfect for computer-based studios\u003c\/li\u003e\n\u003cli\u003e2 high-quality stereo inputs connect perfectly to your DAW\u003c\/li\u003e\n\u003cli\u003e3 independent Monitor outputs to connect up to 3 sets of studio monitors\u003c\/li\u003e\n\u003cli\u003e2 high-grade headphone amplifiers with separate volume controls\u003c\/li\u003e\n\u003cli\u003eCrossfeed control emulates the stereo speaker panorama when listening through your headphones\u003c\/li\u003e\n\u003cli\u003eConvenient Mono and Dim functions right at your fingertips\u003c\/li\u003e\n\u003cli\u003e\"Planet Earth\" switching power supply for maximum flexibility (100\u003c\/li\u003e\n\u003cli\u003e- 240 V~), noise-free audio, superior transient response plus low power consumption for energy savings\u003c\/li\u003e\n\u003cli\u003e3-Year Warranty Program*\u003c\/li\u003e\n\u003cli\u003eDesigned and engineered in Germany\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":47993504694502,"sku":"930006016343","price":227.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/monitor2usb_p0bk8_right_l.png?v=1784184311"},{"product_id":"warm-audio-wa73","title":"Warm Audio WA73 Single Channel British Style Mic Preamp","description":"\u003ch3\u003eA Single Channel '73 For The Rest Of Us\u003c\/h3\u003e\n\u003cp\u003eIf there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003c\/p\u003e\n\u003cp\u003eWhen we at Warm Audio decided to release the WA73 it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA73 was born!\u003c\/p\u003e\n\u003cp\u003eThe WA73 is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA73 equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA73 can’t handle.\u003c\/p\u003e\n\u003ch3\u003eUK Custom Carnhill Transformers\u003c\/h3\u003e\n\u003cp\u003eEnthusiasts unequivocally get excited about the components used in classic '73-style British preamps. The signal transformers are a common topic of conversation. Vintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions. These are regarded as the most desirable choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them!\u003c\/p\u003e\n\u003cp\u003eWarm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful reproductions of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA73 with these beautiful custom Transformers.\u003c\/p\u003e\n\u003ch3\u003eCapacitors \u0026amp; Signal Path\u003c\/h3\u003e\n\u003cp\u003eAn important part of classic British tone not often discussed are the different styles of capacitors and output transistor used in '73-style circuits. 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The WA73 is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSINGLE CHANNEL, CLASS A, '73-STYLE BRITISH MICROPHONE PREAMP\u003c\/li\u003e\n\u003cli\u003eUK MADE CARNHILL TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eHAND WIRED, HAND ASSEMBLED\u003c\/li\u003e\n\u003cli\u003e80DB OF GAIN - RESISTOR STEPPED GAIN SWITCH\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON - CHANGES INPUT TRANSFORMER IMPEDANCE FOR VARYING TONE\u003c\/li\u003e\n\u003cli\u003ePOLARITY SWITCH\u003c\/li\u003e\n\u003cli\u003e48V PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003e4 POSITION INDUCTOR BASED HIPASS FILTER - 50, 80, 160, 300 HZ\u003c\/li\u003e\n\u003cli\u003eXLR MIC INPUT\u003c\/li\u003e\n\u003cli\u003eLINE LEVEL TRS INPUT\u003c\/li\u003e\n\u003cli\u003eTS SEND\/RECEIVE INSERT JACKS\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; TRS LINE LEVEL OUTPUTS\u003c\/li\u003e\n\u003cli\u003eDIRECT IN, INSTRUMENT INPUT\u003c\/li\u003e\n\u003cli\u003eOUTPUT CONTROL\u003c\/li\u003e\n\u003cli\u003eLED LEVEL INDICATION\u003c\/li\u003e\n\u003cli\u003e19\" RACKMOUNTABLE\u003c\/li\u003e\n\u003cli\u003eGROUND LIFT SWITCH\u003c\/li\u003e\n\u003cli\u003eINTERNAL IEC 115V\/230V POWER INLET\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47993504760038,"sku":"939043000052","price":1044.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/banner-wa73.jpg?v=1784184311"},{"product_id":"genelec-glm3","title":"Genelec GLM3 Software\/Reference Mic Kit","description":"\u003cp\u003eSince its introduction, the GLM software application has helped audio professionals on both Mac and PC to configure, calibrate and control their Genelec monitor systems, delivering fully optimised performance for their acoustic environment. GLM 3 now offers beta Cloud services, Reference Level listening features and several other important refinements – making it the most powerful version of GLM yet!\u003c\/p\u003e\n\u003cp\u003eGLM 3. Making SAM Even Smarter.\u003c\/p\u003e\n\u003cp\u003eIf you’ve ever been frustrated that your mixes don’t translate well to other systems, it’s because your monitors and your room are interacting to produce a frequency response that can be far from the neutral and smooth response that you need to create a great mix.\u003c\/p\u003e\n\u003cp\u003eGLM 3 software tightly integrates with the advanced internal DSP circuitry which a growing family of Genelec SAM monitors and subwoofers is equipped with, from the tiny 8320 to the massive 1236A. GLM 3’s reference microphone kit allows your acoustic environment to be analysed, after which GLM 3’s AutoCal feature optimises each monitor for level, distance delay, subwoofer crossover phase and room response equalisation, with the option for you to further fine tune the system. By minimising the room’s influence on the sound, GLM 3 helps Genelec monitors deliver an unrivalled reference, with excellent translation between rooms.\u003c\/p\u003e\n\u003cp\u003eWhether you’re a new Genelec SAM user - or you’re an existing user who wants to upgrade to the latest version - then GLM 3 is a free download, available via the links below.\u003c\/p\u003e\n\u003cp\u003ePlease note that to enable GLM software to integrate with your SAM monitors, you’ll also need the Genelec network adaptor kit (8300-601) – which includes the GLM network adaptor, 8300A calibration microphone and microphone holder, 1.8 m USB cable and Quick Connection Guide. The network adaptor connects to your Mac or PC via the supplied USB cable, and to your SAM monitors via an 5 metre Ethernet cable (which is supplied separately with each SAM monitor).\u003c\/p\u003e\n\u003cp\u003eWith GLM 3 you can…\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eManage and control up to 45 SAM monitors and subwoofers.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEasily and swiftly create systems to suit all types of stereo, multiple stereo, multichannel or 3D immersive audio formats.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOptimise, combine and switch between Genelec monitors to make the most of the environment in which you are working.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUse AutoCal to achieve neutral sound reproduction. 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The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control.\u003c\/p\u003e\n\u003cp\u003eWhen designing the TB12 Tone Beast our goal was to make a microphone preamplifier affordable and jam packed full of options, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable.\u003c\/p\u003e\n\u003cp\u003ePremium Components\u003c\/p\u003e\n\u003cp\u003eThe TB12 \"Tone Beast\" is a fully discrete, high-voltage microphone preamplifier, utilzing CineMag USA Transformers. Have no fear of hurting the Beast, you can push it very hard into full-on distortion if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some grit. When hand building mic pres I learned a bit about the \"subtle\" differences component choices can make. A little change here, and another there often times became a huge deal in a finished mix, but isn't always very noticeable at first take.\u003c\/p\u003e\n\u003cp\u003eThe different component options in the TB12 are subtle, but when driven into saturation are noticeable and can make a big difference to the way your final mix will sound. 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The price\/performance ratio of the WA-412 is almost unfathomable to the experienced studio engineer who has possibly paid much more for preamps of this style during their career. Featuring fully discrete socketed 6-pin opamps and custom wound Altran USA input and output transformers, the WA-412 leaves nothing to be desired. If you are looking for multiple channels of world class tone in an affordable package, the WA-412 is the right choice for you.\u003c\/p\u003e\n\u003cp\u003eInspiration Behind The WA-412.\u003c\/p\u003e\n\u003cp\u003eWhen I first started holding regular studio sessions years ago I always desired to have more channels of high-end mic pre's. I could only afford to have one or two in my studio at a time, which was never enough to record a full band or drummer. I knew very well that if signals were not recorded well \"on the way in\" they wouldn't be salvageable later, but my budget constrained me. Because of this so many of the sources were recorded through poor-quality mic preamps. If the WA-412 was available back then I likely wouldn't have had to settle for poor, low-quality tone. The WA-412 was designed \"for the people\" (if you will) and we believe it will become a serious work-horse in many professional and home studios. - Bryce Young (founder)\u003c\/p\u003e\n\u003cp\u003ePacked With Features\u003c\/p\u003e\n\u003cp\u003eThe WA-412 has all of the features one would expect from this style of preamp... and more. Output Trim is available on every channel for precise control and creative gain staging. A Tone switch (transformer input impedance) is also available on each channel, which allows you to choose between a warm and punchy classic console tone, or go for a more open \u0026amp; neutral sound.\u003c\/p\u003e\n\u003cp\u003eQuality Components\u003c\/p\u003e\n\u003cp\u003eEach channel utilizes a fully discrete socketed 6-pin opamp that can be swapped with other opamps. 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The transformers also use a vintage winding technique that produces a very distinct smooth BIG character.\u003c\/p\u003e\n\u003cp\u003eCarefully choosing the WA-412 components has resulted in an amazing four channel ‘workhorse’ preamp\/DI that performs at the highest levels, while still adding vintage console magic to your signal.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e4 CHANNEL MICROPHONE PREAMPLIFIER + INSTRUMENT DI\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE, TRANSFORMER COUPLED, THROUGH-HOLE COMPONENT TOPOLOGY\u003c\/li\u003e\n\u003cli\u003eALTRAN USA CUSTOM WOUND, PREMIUM INPUT AND OUTPUT TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eX520 DISCRETE OP-AMP IN EVERY CHANNEL, SOCKETED FOR CONVENIENCE. 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This unique-sounding mic preamp was a staple in renowned studios like Abbey Road, Sound City, and Capitol Studios, and helped shape the sound of some of the greatest legends like Led Zeppelin, the Beatles, Stevie Wonder and even Adele.\u003c\/p\u003e\n\u003cp\u003eToday, we pay homage to that iconic studio cornerstone with the Behringer 73, a more compact version of the Behringer 1273. Developed with one of the original engineers, their valuable knowledge and experience ensure that the 73 not only maintains the great sound of the original but also meets the demands of modern production.\u003cbr\u003e \u003cbr\u003eCompact\u003cbr\u003eThe 73 is a 1273 in a compact package and shares the same architecture. This makes it great for combining with your favorite EQ or compressor or building a whole array of preamps in one rack. The solid steel chassis gives it durability and provides isolation from other units in your setup.\u003cbr\u003e \u003cbr\u003eVersatile Operation\u003cbr\u003eThe 73 is built around a Class A discrete circuit, which ensures the highest signal integrity with minimal coloration. The input and output stages are equipped with a high-quality, custom-built Midas transformer, which is great for maintaining signal clarity and integrity.\u003cbr\u003e \u003cbr\u003eThe First Steps\u003cbr\u003eThe 73 also has a versatile Gain control for various input types, such as mic, line and instrument, providing comprehensive control and flexibility for different recording scenarios. The stepped rotary Gain switch allows you to precisely set optimal input levels up to 80 dB with the least amount of noise and is also great for consistently recalling your settings for every mix scenario. The Trim control gives you even finer level control to your recording device. Combined with the precise 80 dB Gain control, you can get the perfect level for even the quietest of sources.\u003cbr\u003e \u003cbr\u003eAdditional Controls\u003cbr\u003ePhase Invert\u003cbr\u003eHi\/Lo Impedance\u003cbr\u003eFront\/Rear Input Selection\u003cbr\u003e \u003cbr\u003eAn Amazing Value\u003cbr\u003eThe Behringer 73 imbues your sound palette with the depth, detail, and sonic richness reminiscent of classic modules. It’s perfect for recording vocals or instruments. You can even have multiple 73s in a rack to dial in each mic in the chain exactly the way you need. Infuse your studio with the timeless analog warmth and textured layers that have defined generations of music. \u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":47993505218790,"sku":"BM4033653081900","price":417.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/image_be_0838-aay_73_front_xl.png?v=1784184318"},{"product_id":"radial-spaceheater","title":"Radial Space Heater Analog Summing Mixer","description":"\u003ch3\u003e8-Channel Summing Mixer \u0026amp; Tube Drive\u003c\/h3\u003e\n\u003cp\u003eThe Space Heater is an 8-channel tube overdrive that can be used as an analog summing mixer or as a multi-channel studio effects device, utilizing the tube circuitry for a range of effects from subtle warmth and grit to full harmonic distortion.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e12AX7 vacuum tube overdrive \u0026amp; summing mixer\u003c\/li\u003e\n\u003cli\u003eHeat switch adjusts voltage applied to each tube\u003c\/li\u003e\n\u003cli\u003eIndividual outputs to use as an 8-channel effects insert\u003c\/li\u003e\n\u003cli\u003eTransformer-coupled outputs for vintage tone\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWarm up your digital tracks\u003c\/h3\u003e\n\u003cp\u003eThe Space Heater is a high performance summing mixer that allows you to blend tracks out-of-the-box in the analog domain, with oversized output transformers and vacuum tubes for vintage warmth and character. Eight mono input channels or four stereo pairs are available, with a heat switch on each pair to adjust the voltage on the 12AX7 tube - lower voltage settings starve the tube for a more pronounced distortion effect. Separate Drive and Level controls on each channel give you complete control over each tube circuit, providing a range of tones that allow you to fatten up digital stems or provide a distorted effect on vocals, guitars or drums.\u003c\/p\u003e\n\u003ch3\u003eSpace Heater Example Applications\u003c\/h3\u003e\n\u003ch4\u003eSoftware insert\u003c\/h4\u003e\n\u003cp\u003eUse the Space Heater™ on eight individual tracks in your mix to add grit or character. Adjustable LEVEL and DRIVE tailors the level of distortion from subtle to extreme.\u003c\/p\u003e\n\u003ch4\u003eSumming 8 or more channels to stereo\u003c\/h4\u003e\n\u003cp\u003eComplete your final summing out-of-the-box by sending stereo stem mixes to the Space Heater. Mix four stereo stems down to a master stereo output, or link multiple Space Heaters together for analog summing heaven!\u003c\/p\u003e\n\u003ch4\u003eWith in-ear monitors\u003c\/h4\u003e\n\u003cp\u003eGet the natural feel and tone back into your in-ear monitors by adding the natural compression of tube distortion into the signal path. It's like playing in front of your amp without the stage noise!\u003c\/p\u003e\n\u003ch4\u003eRecording drums\u003c\/h4\u003e\n\u003cp\u003eSet the Space Heater to 25 volts to create humungous tube crunch and adjust the drive and level to suit. Use the individual sends as outputs to feed your recorder or mix down to stereo using the built-in bus.\u003c\/p\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":47993505284326,"sku":"930101001139","price":3704.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/spaceheater-34-left-768x277.jpg?v=1784184319"},{"product_id":"behringer-676-classic-vacuum-tube-preamplifier","title":"Behringer 676 Classic Vacuum Tube Preamplifier","description":"\u003cp\u003eThe classic 6176 tube mic preamp and FET compressor served as the secret sauce for some of music history’s most well-known artists and recording engineers. From artists such as Norah Jones to John Mayer, and producers like Tony Visconti and Jack Puig, the 6176 has contributed to the recordings of numerous chart-topping hits and critically acclaimed albums, further solidifying its reputation in the industry.\u003c\/p\u003e\n\u003cp\u003eWe want to keep that classic alive with the Behringer 676, a classic mic\/line tube preamp and compressor with custom-built Midas transformers, premium 12AX7\/ECC83S and 12AT7\/6072 tubes for a warm and rich sound. In just a single rack unit, the 676 provides a versatile range of tonal possibilities that can bring that same timeless quality to any recording.\u003cbr\u003e \u003cbr\u003eFreedom to Fine-Tune\u003cbr\u003e676 is made for simplicity and ease of use. The preamp section features controls for input gain, impedance, polarity, high or low frequency shelf, as well as high or low boost\/cut. It can even be operated independently of the compressor with the flip of the Join\/Split switch.\u003c\/p\u003e\n\u003cp\u003eThis circuit has been praised by so many producers and engineers for its ability to give you complete freedom to fine-tune and bring the best out of any vocal or instrument before it hits the compressor.\u003cbr\u003e \u003cbr\u003eEffortless Dynamic Control\u003cbr\u003eFeaturing a powerful FET compressor with an ultra-fast attack time of 20 to 800 microseconds, 676 ensures precise control over transients. Its adjustable release time, from 50 to 1100 milliseconds, allows for tailored control over dynamics. A vintage-style meter displays both gain reduction and output levels, providing essential visual feedback. This blend of speed, versatility, and classic aesthetics makes 676 an invaluable asset for any audio setup. It can go from slow and smooth leveling for vocals up to a fast and aggressive snap for drums and bass.\u003cbr\u003e \u003cbr\u003eReady for Your Studio!\u003cbr\u003eThe 2U rackmount chassis of 676 is extremely sturdy and is designed to take up only a small portion of your valuable rack space. It happily sits in a rack case if you sometimes record on location or want to use it for live sound applications where portability and mobility are key. Either way, 676 is sure to be a perfect fit in your studio. You can even wire up the preamp and compressor completely independent of each other.\u003cbr\u003e \u003cbr\u003eAn Amazing Value\u003cbr\u003eThe Behringer 676 is perfect for recording vocals and instruments with the same analog warmth and detail that made it a favorite of engineers and helped make stars of countless artists throughout the years. Get yours today from your nearest Behringer distributor and bring classic warmth and precision to your recordings\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":47993505317094,"sku":"BM4033653081870","price":920.55,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/image_be_0838-abc_676_right_xl.png?v=1784184320"},{"product_id":"presonus-studio-channel-tube-preamplifier","title":"Presonus Studio Channel Tube Preamplifier","description":"\u003cp\u003eThe Anywhere Channel.\u003cbr\u003eWe named this channel strip the Studio Channel, and indeed it’s a wonderful studio tool. But it’s great for live performance, too. Featuring tube preamplification, a VCA-based compressor, and three-band EQ, it delivers a huge variety of timbres. Produce luscious, in-your-face vocals, dynamic acoustic piano, and fat, solid bass guitar, not to mention crystal-clear acoustic guitars and cracking snare. Yes, we got the name wrong; we should have called it the Anywhere Channel. But we got the design right.\u003c\/p\u003e\n\u003cp\u003eImpressive headroom and a huge variety of fat sounds.\u003cbr\u003eThe Studio Channel’s Class A preamplifier starts with a high-output 12AX7 tube that operates on voltages double that of other preamplifiers in its class. The result is lots of headroom and big tone. Gain and Tube Drive controls enable a wide range of sounds, from transparent and clear to edgy and overdriven. A -20 dB pad, 80 Hz highpass filter, and polarity reverse let you tweak your signals to sit properly in the mix.\u003c\/p\u003e\n\u003cp\u003eFast, smooth, musical VCA compression.\u003cbr\u003eOur VCA-based compressor is known for musicality and fast attack, with the ability to tame the fastest transients. From slap bass, to snare drum, to vocals, the Studio Channel’s compressor allows you to record blazing-hot signals with accurate dynamics control. In addition to ratio, threshold, attack, release and gain controls, it offers a convenient Auto Attack\/Release feature with preset attack and release curves. The backlit VU meter can display gain reduction or output gain.\u003c\/p\u003e\n\u003cp\u003eSweet three-band EQ—before or after the compressor.\u003cbr\u003eThe three-band equalizer in the Studio Channel is a precision tool, with the ability to carve out unwanted frequencies as well as tailor your tone to enhance your sound. The EQ can be pre- or post-compressor, and you can bypass each stage independently. Custom-designed amplifiers deliver sweet-sounding gain and cut for smooth highs; deep, solid lows; and clear midrange. The midrange band is fully parametric, with variable Q, while the high- and low-frequency bands are semi-parametric, with Frequency and Gain controls but fixed Q, and can be either shelving or peak bands.\u003c\/p\u003e\n\u003cp\u003eTasty spices that work with virtually everything.\u003cbr\u003eIn the lunch room at PreSonus’® Baton Rouge headquarters, it’s an article of faith that Cajun spices taste great with almost everything. The Studio Channel is equally versatile, delivering great sound for virtually any type of recording or live music. And with separate XLR mic, balanced ¼-inch line, and unbalanced ¼-inch instrument inputs and balanced XLR and ¼-inch outputs, you can connect it to almost any recording interface, amp, or P.A. This really is an Anywhere Channel!\u003c\/p\u003e","brand":"Presonus","offers":[{"title":"Default Title","offer_id":47993505415398,"sku":"930249000133","price":664.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/studio_channel-a_copy_big.jpg?v=1784184321"},{"product_id":"warm-audio-wa76-d2-dual-channel-clean-gain-discrete-fet-compressor-rev-d","title":"Warm Audio WA76-D2 Dual Channel Clean Gain Discrete FET Compressor (rev D)","description":"\u003cp\u003eThe WA76-D2 accurately reproduces 2-channels of one of the fastest and most loved studio compressors of all time known for its generous headroom, ultra-fast dynamic control, and rich analog tone. Using premium and custom components like O-12 (input) and 5002 (output) transformers from CineMag, WA76-D2 achieves authentic 76 rev-D style compression, known for “low noise” preamp stage with unmistakably analog character. Added modern controls to achieve parallel compression, active \u0026amp; true-bypass, and variable sidechain filtering flexibility make WA76-D2 an ideal choice for modern recording workflows that require vintage tone shaping. WA76-D2 recreates the legendary tone \u0026amp; control of the vintage 76-style compression used in studios by artists like Missy Elliot, Timbaland, Van Halen, Rick Rubin, Daft Punk, and many more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClassic Studio Compression With Rich Analog Tone:\u003c\/strong\u003e The WA76-D2 is a faithful recreation of the vintage 76 “D-style” 2-channel FET studio compressor with added features to meet modern recording workflows. Recreating the lauded “D-style” version of the 76 compressor known for its speed, lower noise, and rich analog tone, the WA76-D2 offers the ideal blend of vintage circuitry and modern controls to deliver ultimate flexibility without sacrificing vintage analog character. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCritical Classic Controls + Bonus Modern Add-Ons: \u003c\/strong\u003eWA76-D2 has all of the traditional 76-style compression controls; attack, release, ratio, input, output, and meter display. In addition to the classic controls expected on a 76-style compressor, WA76-D2 is a stereo unit and has dry\/wet mix for parallel compression, selectable input impedance, active \u0026amp; true-bypass, and variable sidechain high-pass filtering to tackle unruly bass that dominates the compressor’s attention.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustom CineMag Transformers: \u003c\/strong\u003eJust like in the vintage 76-style compressors from revision “A” to D”, the WA76-D2 uses custom large-core, CineMag input \u0026amp; output transformers. The transformers inside the WA76-D2 use the exact same spec data and materials (nickel and steel) used by Reichenbach Engineering in the original vintage designs known for delivering rich analog tone to any signal chain. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePremium Components \u0026amp; Accurate D-style Circuitry: \u003c\/strong\u003eWA76-D2 uses premium ceramic \u0026amp; electrolytic capacitors, metal film resistors, and a revised preamp stage, improving the linear response of the FET. These key components complete a circuit that cuts no corners in delivering an authentic “cleaner, low noise” 76-style compression experience. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHand-Tested In Austin, TX:\u003c\/strong\u003e Like all Warm Audio gear, WA76-D2 is meticulously hand-tested and inspected by trained technicians with a passion for making music in Austin, TX USA\u003c\/p\u003e\n\u003cp\u003eSpecs \u003c\/p\u003e\n\u003cp\u003e● 100% Analog Discrete 2-Channel FET Compressor\u003c\/p\u003e\n\u003cp\u003e● Faithful Recreation Of The Vintage “Rev-D” FET Compressor With Added Recording Features\u003c\/p\u003e\n\u003cp\u003e● VU Meter Options: Gain Reduction | +8dB Output | +4dB Output | “Off” Powers off unit\u003c\/p\u003e\n\u003cp\u003e● 100-230v IEC Inlet Universal Power Supply\u003c\/p\u003e\n\u003cp\u003e● Class-A Line-Level Output Amplifiers\u003c\/p\u003e\n\u003cp\u003e● 100% Discrete Audio Signal Path Using 600Ω Input Impedance Attenuator\u003c\/p\u003e\n\u003cp\u003e● Selectable 10kΩ Input Impedance To Better Match Modern Audio Interface Specifications\u003c\/p\u003e\n\u003cp\u003e● 100% Dry-Wet Mix Control | Variable Sidechain High Pass Filter: 30 - 300Hz, 12dB\/Octave\u003c\/p\u003e\n\u003cp\u003e● Active Bypass For Running Unit As Line Amplifier \u0026amp; True Bypass Option For A\/B Comparisons\u003c\/p\u003e\n\u003cp\u003e● 3 2-Channel Operating Modes: Stereo Linked | Primary:Secondary | Dual-Mono\u003c\/p\u003e\n\u003cp\u003e● 2U 19″ Rackmount Chassis\u003c\/p\u003e\n\u003cp\u003e● Utilizes Premium O-12 Input \u0026amp; 5002 Output Transformers From CineMag USA\u003c\/p\u003e\n\u003cp\u003e● Vintage-Spec Attack \u0026amp; Release: Attack = 20 µS - 800 | Release: 50 mS - 1.1 Second\u003c\/p\u003e\n\u003cp\u003e● “All-Buttons-In” Setting For Experimental \u0026amp; Hard-Limiter Tones\u003c\/p\u003e\n\u003cp\u003e● Frequency Response: ± 1 dB 20 Hz - 20 kHz\u003c\/p\u003e\n\u003cp\u003e● Balanced XLR \u0026amp; TRS Inputs \u0026amp; Outputs\u003c\/p\u003e\n\u003cp\u003e● Total Amplifier Gain: 53dB \u003c\/p\u003e\n\u003cp\u003e● Signal-To-Noise Ratio (SNR): 86dB \u003c\/p\u003e\n\u003cp\u003e● Total Harmonic Distortion (THD): -64dB (at -8dBu)\u003c\/p\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47993505480934,"sku":"BM850031640634","price":1709.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/6540\/9766\/files\/wa76-d2_dual-1.jpg?v=1784184322"}],"url":"https:\/\/gearstage.shop\/collections\/studio-gear-category-preamps-outboard.oembed?page=3","provider":"GearStage","version":"1.0","type":"link"}